There has been studies on the decoding of `干萬(隱) and `干音毛` in Hyang-Chal. But we failed in the decoding of this Hyang-Chal. It is the reason of the fail that we do not examine the signifie of `干萬(隱)` and `干音毛` in the vocabulary...

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https://www.riss.kr/link?id=A45028333
2003
-
700
KCI등재
학술저널
185-209(25쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
There has been studies on the decoding of `干萬(隱) and `干音毛` in Hyang-Chal. But we failed in the decoding of this Hyang-Chal. It is the reason of the fail that we do not examine the signifie of `干萬(隱)` and `干音毛` in the vocabulary...
There has been studies on the decoding of `干萬(隱) and `干音毛` in Hyang-Chal. But we failed in the decoding of this Hyang-Chal. It is the reason of the fail that we do not examine the signifie of `干萬(隱)` and `干音毛` in the vocabulary of the ancient and middle Korean in full. The purpose of this paper is to do the decoding of `干萬(隱)` and `干音毛` in the aspects of the signifie of the Hyang-Chal. The result of this paper is as Mow; 1. `干萬隱` in the Mayngatukanga is decoded to `kaman`(가만), and its meaning is `dim/blur in the visual power`. 2. `干萬` in the Cheongbuljuseoyga is decoded to `kaman`(가만), and its meaning is `furthest in time`. 3. `干萬隱` in the Chingchanyeolayga is decoded to `kaman`(가만), and its meaning is `distantest in space`. 4. `干音毛` in the Chonggyeolmujinga is decoded to `kammo`(감모), and its meaning is `because of the continuous distantest in space`.
우리 모더니즘 소설의 통시적 의미 고찰 -일상성, 동일성, 욕망을 중심으로-
한국 현대시와 영화의 영향관계 연구 -1950년대 〈후반기〉 동인의 시를 중심으로-