This paper studies principles of formal organization in Chopin’s Preludes, Op. 28. My study proceeds in two parts. The first part considers Chopin’s Preludes in general; the second part is an analytical study of aspects of several of the work. ...

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https://www.riss.kr/link?id=A82491499
배재희 (이화여자대학교)
2010
Korean
670
KCI등재
학술저널
47-71(25쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper studies principles of formal organization in Chopin’s Preludes, Op. 28. My study proceeds in two parts. The first part considers Chopin’s Preludes in general; the second part is an analytical study of aspects of several of the work. ...
This paper studies principles of formal organization in Chopin’s Preludes, Op. 28. My study proceeds in two parts. The first part considers Chopin’s Preludes in general; the second part is an analytical study of aspects of several of the work.
In the first part, I explore how musicians have perceived and described Chopin’s Preludes, and how the work differs from piano cycles. The first part also provides scholarly studies from different trend of studies. In the second part, I consider the features of formal organization within Preludes. I devote this part to three important formal aspects of Chopin’s Preludes: overall structure including key scheme; features of the individual pieces; connections between adjacent pieces.
목차 (Table of Contents)
피에트로 메타스타지오의 오라토리오 「우리 주 예수 그리스도의 수난」 연구Ⅱ. 음악
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