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    포스트 디지털 시대의 예술과 이미지 연구 -히토 슈타이얼의 ‘빈곤한 이미지’ 개념을 중심으로 = A Study of Art and Image in the Post-Digital Era-Focusing on the concept of ‘poor image’ by Hito Steyerl

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    https://www.riss.kr/link?id=A107473270

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    There is a certain myth about digital technology and images. It includes a strong belief for high resolution of digital images, the quality does not decrease even if the original is duplicated, and the infinite expressiveness is possible because it is an image as flexible information. Of Course, this is true to some degree, but most of the digital images that fill our daily lives are compressed and partially lacking for fast transmission through various storage devices. Hito Steyerl calls these images as poor image and attempts various artistic working based on the concept. This incomplete image, which appears in her works, acts as a spokesman for those who do not have a voice or says more in silence itself. In addition, works that show various aspects of 'dancing labor' through sampling techniques make us think about 'non-material labor', which is newly generalized in our time. These works go beyond common digital art, which admires the advancement of digital technology and experiments with its possibilities. They can be seen as artistic attempts at the post-digital era in which digital is the basic condition of our lives.
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    There is a certain myth about digital technology and images. It includes a strong belief for high resolution of digital images, the quality does not decrease even if the original is duplicated, and the infinite expressiveness is possible because it is...

    There is a certain myth about digital technology and images. It includes a strong belief for high resolution of digital images, the quality does not decrease even if the original is duplicated, and the infinite expressiveness is possible because it is an image as flexible information. Of Course, this is true to some degree, but most of the digital images that fill our daily lives are compressed and partially lacking for fast transmission through various storage devices. Hito Steyerl calls these images as poor image and attempts various artistic working based on the concept. This incomplete image, which appears in her works, acts as a spokesman for those who do not have a voice or says more in silence itself. In addition, works that show various aspects of 'dancing labor' through sampling techniques make us think about 'non-material labor', which is newly generalized in our time. These works go beyond common digital art, which admires the advancement of digital technology and experiments with its possibilities. They can be seen as artistic attempts at the post-digital era in which digital is the basic condition of our lives.

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    참고문헌 (Reference)

    1 김지훈, "포스트-재현, 포스트-진실, 포스트인터넷: 히토 슈타이얼의 이론과 미술 프로젝트" 현대미술학회 21 (21): 51-94, 2017

    2 Bürger, Peter., "Theory of avangarde" zmanz 2009

    3 Steyerl, Hito, "The wretched of the screen, (Kim, Syl Bee, trans)" Workroom Press 2018

    4 Berardi, Franco., "The soul at work" galmuri 2012

    5 Manovich, Lev, "The language of new media" Communication Books 2014

    6 Benjamin, Walter, "The Work of Art in the Age of Its Technological Reproducibility" Ghil Publisher 2008

    7 Didi-Huberman, Georges, "Survival of the Fireflies" Ghil Publisher 2012

    8 Kittler, Friedrich., "Optical media" Hyunmun Publishing Co 2011

    9 Steyerl, Hito, "Narration of "

    10 Lee, Jae Hyun, "Multimedia and digital world" Communication Books 2004

    1 김지훈, "포스트-재현, 포스트-진실, 포스트인터넷: 히토 슈타이얼의 이론과 미술 프로젝트" 현대미술학회 21 (21): 51-94, 2017

    2 Bürger, Peter., "Theory of avangarde" zmanz 2009

    3 Steyerl, Hito, "The wretched of the screen, (Kim, Syl Bee, trans)" Workroom Press 2018

    4 Berardi, Franco., "The soul at work" galmuri 2012

    5 Manovich, Lev, "The language of new media" Communication Books 2014

    6 Benjamin, Walter, "The Work of Art in the Age of Its Technological Reproducibility" Ghil Publisher 2008

    7 Didi-Huberman, Georges, "Survival of the Fireflies" Ghil Publisher 2012

    8 Kittler, Friedrich., "Optical media" Hyunmun Publishing Co 2011

    9 Steyerl, Hito, "Narration of "

    10 Lee, Jae Hyun, "Multimedia and digital world" Communication Books 2004

    11 Haraway, Donna, "Manifestly Haraway" Chaek-Se-Sang 2019

    12 Lazzarato, Maurizio, "Immaterial Labor & Multitude" galmuri 2019

    13 Virno, Paolo, "Immaterial Labor & Multitude" galmuri 2019

    14 Didi-Huberman, Georges, "Images in Spite of All: Four Photographs from Auschwitz" REBECCA Publishing Co 2017

    15 NGV International, "HITO STEYERL: FACTORY OF THE SUN"

    16 Espinosa, Julio., "For an imperfect cinema" (20) : 24-26, 1979

    17 Paul, Christian, "Digital art" Sigongsa Co. Ltd 2007

    18 Quaranta, Domenico, "Beyond new media art" Color Box 2018

    19 Daniel Rourke, "Artifacts: A Conversation Between Hito Steyerl and Daniel Rourke"

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    2019-09-18 학회명변경 영문명 : The Research Institute for Humanities Contents -> Humanities Research Institute
    2007-08-21 학회명변경 한글명 : 인문콘텐츠연구센터 -> 인문콘텐츠연구소
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