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      여성공동체의 모놀로그: 『버자이너 모놀로그』에 나타난 커뮤니타스 = Monologues for Women`s Community: Communitas in Eve Ensler`s The Vagina Monologues

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      https://www.riss.kr/link?id=A100388353

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This study examines how The Vagina Monologues performs a social ritual which creates social changes by establishing new identities. Eve Ensler makes the most private aspects public by speaking loud onto a public stage and renders taboo topics visible and speakable. The collection of monologues, molded with various women’s personal stories about their vaginas, connects women by the vagina and distills multiple voices into one voice on stage. Sharing the stories and experience is the process of reclaiming women’s subjectivity and the personal stories become political beyond the stage, transcending national boundaries. Ensler draws upon strategic essentialism which defines women’s self as a vagina to assert women’s empowerment and reinforce the cohesion of women’s community. The vaginas act as a site in which we examine our gender oppression and find a liberative self. The play deconstructs gender ideology, the unitary phallic world view and demonstrates new directions and possibilities of women’s subjectivity in a ritualized way. The voice of women as a community gives birth to a collective energy and leads the audience to raise their consciousness and participate in their communitas. Communitas, as Victor Turner defines it, is an ideal, cooperative community in liminality. With the creative, subversive potential of liminality, the ritual has the ability to instigate social changes. V-Day, a globally organized social movement reflects the success of the social ritual and illustrates how a play, a work of art is changed into a work of politics.(Yeungnam University)
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      This study examines how The Vagina Monologues performs a social ritual which creates social changes by establishing new identities. Eve Ensler makes the most private aspects public by speaking loud onto a public stage and renders taboo topics visible ...

      This study examines how The Vagina Monologues performs a social ritual which creates social changes by establishing new identities. Eve Ensler makes the most private aspects public by speaking loud onto a public stage and renders taboo topics visible and speakable. The collection of monologues, molded with various women’s personal stories about their vaginas, connects women by the vagina and distills multiple voices into one voice on stage. Sharing the stories and experience is the process of reclaiming women’s subjectivity and the personal stories become political beyond the stage, transcending national boundaries. Ensler draws upon strategic essentialism which defines women’s self as a vagina to assert women’s empowerment and reinforce the cohesion of women’s community. The vaginas act as a site in which we examine our gender oppression and find a liberative self. The play deconstructs gender ideology, the unitary phallic world view and demonstrates new directions and possibilities of women’s subjectivity in a ritualized way. The voice of women as a community gives birth to a collective energy and leads the audience to raise their consciousness and participate in their communitas. Communitas, as Victor Turner defines it, is an ideal, cooperative community in liminality. With the creative, subversive potential of liminality, the ritual has the ability to instigate social changes. V-Day, a globally organized social movement reflects the success of the social ritual and illustrates how a play, a work of art is changed into a work of politics.(Yeungnam University)

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      참고문헌 (Reference)

      1 김영덕, "모놀로그의 전유: 리자 크론의『건강』에 나타난 다성적 (모노)드라마와 정체성" 신영어영문학회 (58) : 41-60, 2014

      2 Cooper, Christine M, "Worrying about Vaginas: Feminism and Eve Ensler’s The Vagina Monologues" 32 (32): 727-758, 2007

      3 Braun, Virginia, "Virginia Braun in Conversation with Eve Ensler: Public Talk about Private Parts" 9 (9): 515-522, 1999

      4 Grimes, Ronald L, "Victor Turner and the Construction of Cultural Criticism" Indiana UP 141-146, 1990

      5 Bell, Susan E., "Vaginal Politics: Tensions and Possibilities in The Vagina Monologues" 28 : 430-444, 2005

      6 Basu, Srimati., "V Is for Veil, V Is for Ventriloquism : Global Feminisms in The Vagina Monologues" 31 (31): 31-62, 2010

      7 Irigaray, Luce, "This Sex Which Is Not One" Cornell UP 1985

      8 Steinem, Gloria, "The Vagina Monologues. Eve Ensler" Villard 27-37, 2008

      9 Ensler, Eve, "The Vagina Monologues" Villard 2008

      10 Ensler, Eve., "The Vagina Monologues" Villard 36-65, 2008

      1 김영덕, "모놀로그의 전유: 리자 크론의『건강』에 나타난 다성적 (모노)드라마와 정체성" 신영어영문학회 (58) : 41-60, 2014

      2 Cooper, Christine M, "Worrying about Vaginas: Feminism and Eve Ensler’s The Vagina Monologues" 32 (32): 727-758, 2007

      3 Braun, Virginia, "Virginia Braun in Conversation with Eve Ensler: Public Talk about Private Parts" 9 (9): 515-522, 1999

      4 Grimes, Ronald L, "Victor Turner and the Construction of Cultural Criticism" Indiana UP 141-146, 1990

      5 Bell, Susan E., "Vaginal Politics: Tensions and Possibilities in The Vagina Monologues" 28 : 430-444, 2005

      6 Basu, Srimati., "V Is for Veil, V Is for Ventriloquism : Global Feminisms in The Vagina Monologues" 31 (31): 31-62, 2010

      7 Irigaray, Luce, "This Sex Which Is Not One" Cornell UP 1985

      8 Steinem, Gloria, "The Vagina Monologues. Eve Ensler" Villard 27-37, 2008

      9 Ensler, Eve, "The Vagina Monologues" Villard 2008

      10 Ensler, Eve., "The Vagina Monologues" Villard 36-65, 2008

      11 Cixous, Helene, "The Newly Born Woman. Tr. Betsy Wing" U of Minnesota P 1986

      12 Hammers, Michele L, "Talking about “Down There”: The Politics of Publicizing the Female Body through The Vagina Monologues" 29 (29): 220-243, 2006

      13 Kattwinkel, Susan, "Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama" P.I.E. Peter Lang 249-257, 2008

      14 Moi, Toril, "Sexual/Textual Politics : Feminist Literary Theory" Methuen 1985

      15 Kristeva, Julia, "Powers of Horror: An Essay on Abjection" Columbia UP 1982

      16 Turner, Victor, "Performance in Postmodern Culture" Coda 33-55, 1977

      17 Schechner, Richard, "Performance Theory" Routledge 2003

      18 Schechner, Richard, "Performance Studies : An Introduction" Routledge 2002

      19 Young, Iris Marion, "Justice and the Politics of Difference" Princeton UP 1990

      20 Ensler, Eve, "Introduction to the Tenth Anniversary Edition. The Vagina Monologues" Villard 1126-, 2008

      21 Spivak, Gayatri C, "In Other Worlds: Essays in Cultural Politics" Methuen 1988

      22 Battersby, Christine, "Gender and Genius : Towards a Feminist Aesthetics" The Women’s 1989

      23 Butler, Judith, "Gender Trouble : Feminism and the Subversion of Identity" Routledge 2007

      24 Turner, Victor, "From Ritual to Theatre : The Human Seriousness of Play" PAJ Publications 1982

      25 Smith, Anna Deveare, "Fires in the Mirror : Crown Heights, Brooklyn, and Other Identities" Anchor 1993

      26 Viner, Katharine, "Feminism as Imperialism" 21 : 2002

      27 Butler, Judith, "Excitable Speech : A Politics of the Performative" Routledge 1997

      28 Volpp, Leti, "Disappearing Acts: On Gendered Violence, Pathological Cultures and Civil Society" 121 (121): 1631-1638, 2006

      29 Ives, Kelly, "Cixous, Irigaray, Kristeva : The Jouissance of French Feminism" Crescent Moon 2010

      30 Houchin, John, "Bodily Fear: Recent American Performance Controversies" 38 (38): 5-21, 2008

      31 Butler, Judith, "Bodies That Matter : On the Discursive Limits of "Sex"" Routledge 2011

      32 Scott, Shelly, "Been There Done That: Paving the Way for The Vagina Monologues" 46 (46): 404-423, 2003

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