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    중세 동서양 필사문화 비교연구를 위한 방법론적 접근 ― 디지털 자료를 중심으로 = Methodological Approaches to the Comparative Study of Medieval Eastern and Western Scribal Cultures: Focusing on Digital Materials

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    https://www.riss.kr/link?id=A109272815

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The research on the comparison of Eastern and Western scribal cultures will focus on the digital resources of Dunhuang manuscripts of Tang dynasty and medieval European manuscripts. The Dunhuang manuscripts have been digitized for the past 30 years, and European manuscripts have been digitized by major libraries and museums in Europe, such as the British Library and the Bibliothèque Nationale de France, since the mid-to-late 2000s. Most of these digital resources are available in high-definition, so they can be fully utilized for research. In particular, they can be used to solve situations where preservation issues prevent the public from viewing the original materials, or where cost, distance, or time constraints make it difficult to view the original. In addition, the manipulative nature of digital materials - zooming in, zooming out, editing, and more - allows us to see more detail than the naked eye can.
    This paper aims to present a methodology for comparing medieval Eastern and Western scribal cultures. The Eastern and Western medieval periods are separated by hundreds of years, but they are united by the fact that they were periods of transition. Whenever human cultures have become more diverse, it has been a time of change, and the signs of this change have been linked to changes in media. In the heyday of scribal writing, which preceded the age of printing, the diversity of knowledge, culture, and people’s interests and concerns in both the East and the West were actively reflected in the relatively easy-to-produce manuscripts. Therefore, a close look at the manuscripts of the time can shed new light on the humanistic spirit and values common to both the medieval East and West.
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    The research on the comparison of Eastern and Western scribal cultures will focus on the digital resources of Dunhuang manuscripts of Tang dynasty and medieval European manuscripts. The Dunhuang manuscripts have been digitized for the past 30 years, a...

    The research on the comparison of Eastern and Western scribal cultures will focus on the digital resources of Dunhuang manuscripts of Tang dynasty and medieval European manuscripts. The Dunhuang manuscripts have been digitized for the past 30 years, and European manuscripts have been digitized by major libraries and museums in Europe, such as the British Library and the Bibliothèque Nationale de France, since the mid-to-late 2000s. Most of these digital resources are available in high-definition, so they can be fully utilized for research. In particular, they can be used to solve situations where preservation issues prevent the public from viewing the original materials, or where cost, distance, or time constraints make it difficult to view the original. In addition, the manipulative nature of digital materials - zooming in, zooming out, editing, and more - allows us to see more detail than the naked eye can.
    This paper aims to present a methodology for comparing medieval Eastern and Western scribal cultures. The Eastern and Western medieval periods are separated by hundreds of years, but they are united by the fact that they were periods of transition. Whenever human cultures have become more diverse, it has been a time of change, and the signs of this change have been linked to changes in media. In the heyday of scribal writing, which preceded the age of printing, the diversity of knowledge, culture, and people’s interests and concerns in both the East and the West were actively reflected in the relatively easy-to-produce manuscripts. Therefore, a close look at the manuscripts of the time can shed new light on the humanistic spirit and values common to both the medieval East and West.

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    참고문헌 (Reference)

    1 정광훈, "한국 소장 둔황 사본의 소개와 소장 과정 추적" 7 : 2014

    2 뤼시앵 페브르(Lucien Febvre), "책의 탄생" 돌베개 2014

    3 크리스티네 야코비-미르발트 저(Christine Jakobi-Mirwald), "중세의 책: 기능과 장식" 한국문화사 2017

    4 이노우에 스스무(井上進), "중국출판문화사" 민음사 2012

    5 오토 루트비히(Otto Ludwig), "쓰기의 역사 — 고대부터 서적 인쇄술의 시대까지" 연세대학교 대학출판문화원 2013

    6 정수일, "실크로드 문명기행" 한겨레출판 2006

    7 존 맨더빌(John Mandeville), "맨더빌 여행기" 오롯 2014

    8 정광훈, "디지털 이미지를 활용한 P. 4524 <降魔變文> 그림두루마리 분석" 97 : 2023

    9 돈황학대사전편집위원회, "돈황학대사전" 소명출판 2016

    10 나가사와 카즈토시(長澤和俊), "돈황의 역사와 문화" 사계절 2010

    1 정광훈, "한국 소장 둔황 사본의 소개와 소장 과정 추적" 7 : 2014

    2 뤼시앵 페브르(Lucien Febvre), "책의 탄생" 돌베개 2014

    3 크리스티네 야코비-미르발트 저(Christine Jakobi-Mirwald), "중세의 책: 기능과 장식" 한국문화사 2017

    4 이노우에 스스무(井上進), "중국출판문화사" 민음사 2012

    5 오토 루트비히(Otto Ludwig), "쓰기의 역사 — 고대부터 서적 인쇄술의 시대까지" 연세대학교 대학출판문화원 2013

    6 정수일, "실크로드 문명기행" 한겨레출판 2006

    7 존 맨더빌(John Mandeville), "맨더빌 여행기" 오롯 2014

    8 정광훈, "디지털 이미지를 활용한 P. 4524 <降魔變文> 그림두루마리 분석" 97 : 2023

    9 돈황학대사전편집위원회, "돈황학대사전" 소명출판 2016

    10 나가사와 카즈토시(長澤和俊), "돈황의 역사와 문화" 사계절 2010

    11 하오춘원(郝春文), "돈황 유서-석굴 속 실크로드 문헌" 소명출판 2020

    12 "數字敦煌(Digital Dunhuang)"

    13 이신 ; 전영란, "敦煌石窟에서 발견된 古代韓半島資料에 관한 硏究— 莫高窟第16窟<五臺山圖>를 중심으로" 20 : 2011

    14 최선아, "敦煌 莫高窟 제61굴과 五臺山 文殊眞容" (64) : 2014

    15 張妮, "推動敦煌文化藝術資源的數字化共享與回歸"

    16 張秀民, "中國印刷史(上)" 浙江古籍出版社 2006

    17 宇文所安(Stephen Owen), "中國‘中世紀’的終結—中唐文學文化論集" 三聯書店 2006

    18 정수일, "‘신라승탑’이라면? 혜초 입적지 예감에 전율"

    19 "The Lotus Sutra Project"

    20 "Parker Library On the Web-Manuscripts in the Parker Library at Corpus Christi College"

    21 Benjamin Albritton, "Medieval Manuscripts in the Digital Age" Routledge 2021

    22 "Mapping Manuscript Migrations(MMM)"

    23 Josh Anderson, "IDP New Website Launch"

    24 "Gallica"

    25 "Explore 800 medieval manuscripts of France and England"

    26 Imre Galambos, "Dunhuang Manuscript Culture―End of the First Millennium" De Gruyter 2020

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