영화 <수취인 불명>(2001)에 나타난 세대 간 전쟁기억의 전승과 이미지의 형상화 -집단기억과 세대이론을 중심으로- = War Memories and Traditions of Generations Stylized Image -Based on Theories of collective memory and the generations-

다국어 초록 (Multilingual Abstract)

Memories of the past events or experiences or to recall is the act of keeping. But remember, the meaning of the subject and in society in that it can be obtained, depending on the memory configuration is optional and can never be called, and the social context and the events of the past in various forms in accordance with the terms of the memory can be Maurice Halbwachs remember the “personal belongings but also popularly used as a symbol and a story that is stored, transmitted, and the product of the social means” looking into the autobiographical memory and historical memory, and looked at by dividing the collective memory, especially in war memories of the ‘collective memory’ as a country and member plays an important role in the formation of their identity, so many countries, the official history of the war gives special meaning to. From this point of view at the time of the war in 1950, South Korea Koreas happened across social changes, as well as brought to us to live the present influence is still being remembered. Of the division of Korea due to the war situation, rationalizing the national norm of violence that has been used is the most appropriate two euros. This war of the Republic of Korea, South Korea to form a collective memory, its influence continues to the present in that it is different from any other single country, South Korea and the unique atmosphere brings on national sentiment. After all the events of the past South Korea the war is not fixed, or the subject and the situation varies depending on the flow of time and the generations can be remembered. Korea War that the past 60 years, even today, we still have a division in the country to live and the collective memory of consciously or ever envision is muui. This ‘collective experience of war’ and ‘inter-generational tradition’ in terms of the Kim Ki-duk`s film <Address Unknown> U.S. base near the village in the 1970s against the backdrop of the war in the ‘survivors’ own experience and the collective memory of the war due to the lasting division and after that move on to the next generation, a tradition symbolizing the memory image of the enemy is shown. 20 years after the armistice generations years, flows through the years, but nonetheless still a remnant of war and the scars that remain have no qualms stalking the town of USFK military figure and from time to time to train fighters,gun,bow,such as day-to-day use of weapons of war became a long truce still, despite the war cloud passed, will remain the same anxiety appears visualization. Kim Ki-duk is also extremely special to remember the iconic image of the war between the generations been handed down generations and memories, or in the same generations stylized differences and conflicts naeeotda put the brutal images. Thus, this study comes from the Korea War division resulting in the formation of collective memory and tradition of intergenerational memory based on the theory of Karl Mannheim and this film <Address Unknown> symbolically, how to evaluate imaging hayeotneunjireul analysis.