A Comparative Analysis of Sowol’s and Yisang’s Poems from a Semiotic Perspective: Focusing on the relation between ‘ending form’ and ‘poetic image’ Jungran Oh (Kwangwoon University) This paper conducts a comparative analysis of Sowol’s 1...
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https://www.riss.kr/link?id=A99803724
오정란 (광운대학교)
2013
Korean
Sowol ; Yisang ; ending form ; frequency ; cognitive style ; poetic image
701
KCI등재
학술저널
45-75(31쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
A Comparative Analysis of Sowol’s and Yisang’s Poems from a Semiotic Perspective: Focusing on the relation between ‘ending form’ and ‘poetic image’ Jungran Oh (Kwangwoon University) This paper conducts a comparative analysis of Sowol’s 1...
A Comparative Analysis of Sowol’s and Yisang’s Poems from a Semiotic Perspective: Focusing on the relation between ‘ending form’ and ‘poetic image’ Jungran Oh (Kwangwoon University) This paper conducts a comparative analysis of Sowol’s 165 poems and Yisang’s 83 poems with a view to demonstrating that the image of a poem is constructed not only with its contents but also in its usage of the ‘ending form.' From a semiotics perspective each poet's ‘ending forms’ show his inclination towards certain ‘ending forms.’ The pattern as to how the ‘ending forms’ are employed and used can be deduced through examining the correlation between the frequency and the cognitive style in certain ‘ending forms,’ which create the overall image of the poem and the poet’s poetic world. In other words, it is not only the difference in content but also the semiotic differences employed in ‘ending forms’ that distinguish the poetic images of the two poets.
목차 (Table of Contents)
≪경향잡지≫ 게재 천주교 미담(美談)의 전개 양상 및 가치
프랑스 현대시의 시적 «다시쓰기 réécriture» : 팔랭프세스트 Palimpseste 개념을 중심으로
장소 특정적 퍼포먼스(Site-specific Performance)의 공간 구성과 관객 체험
지속가능한 지역사회 개발을 위한 의사소통모형 연구 : 사회과학과 인문학의 융합적 접근방법을 바탕으로