김희영의 『Four Pieces for Flute Solo』연구 = (An) analysis of "Four Pieces for Flute Solo" (1993) by Hee-young, Kim

다국어 초록 (Multilingual Abstract)

The twelve-tone technique created by Scho˝nberg in the early 1920s has been developed by his followers, Anton Webem(1883∼1945) and Alban Berg(1885∼1935) and has become one of the most significant compositional techniques of the 20th century.
"Four Pieces for Flute Solo" which was based on the twelve-tone technique, used the 48 sets of transposed prime, inversion, retrograde and retro-inversion, as well as planned rhythms and registers.
The sets in each movement are devided into different segments and each segment has specific interval relations and motives that serve as decisive elements in horizontal connections, which developes through the work.
In addition, the development of the traditional style appeared in this work through the use of dramatic dynamics, the wide leaps between the two adjecent tones, whole registers for the flute and frequent meter changes.

목차 (Table of Contents)

• 목차 = ⅲ
• Ⅰ. 서론 = 1
• Ⅱ. "Four Pieces for Flute Solo"의 제1악장 분석 = 3
• A. 집합 (Set) = 3
• 1. 서열집합(Ordered Set)의 구조와 활용 = 3
• 2. 분절의 구조와 활용 = 7
• B. Rhythm = 13
• C. 형식 = 16
• 1. 구조 = 16
• 2. Section의 연구 = 17
• Ⅲ. "Four Pieces for Flute Solo"의 제2악장 분석 = 19
• A. 집합 = 19
• 1. 서열집합의 구조와 활용 = 19
• 2. 분절의 구조와 활용 = 19
• B. Rhythm = 23
• C. 형식 = 26
• 1. 구조 = 26
• 2. Section 연구 = 27
• Ⅳ. "Four Pieces for Flute Solo"의 제3악장 분석 = 29
• A. 집합 = 29
• 1. 서열집합(Ordered set)의 구조와 활용 = 29
• 2. 분절의 구조와 활용 = 30
• B. Rhythm = 35
• C. 형식 = 37
• 1. 구조 = 37
• 2. Section 연구 = 38
• Ⅴ. "Four Pieces for Flute Solo"의 제4악장 분석 = 42
• A. 집합(Set) = 42
• 1. 서열집합(ordered set)의 구조와 활용 = 42
• 2. 분절의 구조와 활용 = 45
• B. Rhythm = 48
• C. 형식 = 49
• 1. 구조 = 49
• 2. Section 연구 = 50
• Ⅵ. 결론 = 51
• 참고문헌 = 52
• ABSTRACT = 53
• FOUR PIECES FOR FLUTE SOLO = 55