춤추는 몸의 유목적 주체화 양식 연구 : 들뢰즈·가타리의 신체 이론을 중심으로 = The study of nomadic identity regarding 'Dancing body' : based on Deleuze and Guattari's body theory

다국어 초록 (Multilingual Abstract)

This research is focused on examiriation on how the 'I' who is dancing with new nomadic identity is generated through philosophical perspective. Nomad is existed and thought through the body. According to Deleuze and Guattari's body theory, everything is nomad, also anything that body has existed as nomad. The meaning of having a body is to keep a life, and the life means generation by moving and changing.
Dance-language can be defined as following; As thinking about nomadic 'dance-body' it could means considering a life. Furthermore, considering a life could be related to production and creation which is moving and changing. Dance is a production and disposition from the desire of dance. The reality which generated by desire of dance is the present dance, and the dance is a progress of disposition. Rather be differences than identicalness, go for creation than existence. This is the dance which is different from others and from one to many, finally, can arrived at 'creational dance' from 'existent dance'.
These ideas are open to any others and could be reached from any direction. From those connections, it could be a state of all types. In such perspective with composition of consistency and continuum of intensity or productively original zero intensity can be reached as a empty body. It will not be able to arrive assuredly, but something that tries to reach it infinitely means that it can be created by potentially and it also represents finding a way of absolute flow patterns.
Consequently, a dance, from a nomadism or its a nomadic perspective, it shows the refusal against the existing fixation and systematization of uniform education. And from a movement of a post of the body and its dissolution of the familiar movements, the venturous disconnection with the fixed standards, in other words, it specializes new creation with position inertial motion and tries to escape through from meaningless repetitive body movements.
Therefore, a nomadic subject of moving body is that, it represents 'I' which been learned until now and has been emptied and freed the position body. This new T can be addressed with other spirits and be developed as 'becomes the other figure' through dance. This same various connection that ties between each other only can be possible when my body is freed from body movements. And by using this advances, it could create new 'something' through 'body movements'. Certainly, if any body movements cannot correlate with its original movements and perspective, its subject of the dance has to disappear in order to develop a nomadic subject. Like that new relationship it ties to lead developments, it is subjected as 'body-movements' of 'myself'. With these all directions , when it seeks the connection language of dance, we need to drive our perspective of a dance towards other 'it becomes something new'.