해석의 대상으로서 무용텍스트의언어적 요소에 관한 연구 = A Study to Linguistic Element of Dancing Text as Interpretable Object

다국어 초록 (Multilingual Abstract)

The multiple meanings in Modern Arts produce the many Interpretation Methods. Among them, we can see Aesthetic of Reception, which is based on Hermeneutics and Phenomenology. This study intends to define the dance art as Text based on the Iser`s theory. therefore This study has progressed to explain interpretable object as Dancing text with linguistic character through the methods of Aesthetic of Reception and Gadamer`s hermeneutics. To prove the interpretation process of dancing text, this study accepts Gadamer`s hermeneutics and sets up the concept of dancing text as a language and suggests multi-mediality & totality in linguistic character of dancing text as hermeneutical existence. First, Dancing text exist open structure and has performing character through active behavior of audience. Second, Dancing text contain indeterminancy and implied audience in itself and linguistic character of `speaking`. Third, `speaking` linuistic character of Dancing text contain various linguistic element and could be suggest in body language, plastic art language, music language, written language. fourth, various linguistic element of Dancing text has existed in character with multi-mediality and totality. In Dancing text, element of Multi-meliality be existed in object of interpretation through organic interaction with that be suitable to title or intend of choreographer.

참고문헌 (Reference)

1 김진엽, "해석학적 경험에 있어서 예술과 진리 : 가다머의 철학적 해석학을 중심으로. 미학·예술학 연구" 미학예술학회 26-, 1992

2 이성훈, "해석학-진리-예술. 철학논총" 영남철학회 162-198, 1994

3 문헌일, "존재 이해에서 예술작품으로 : 가다머의 철학적 해석학을 중심으로. 현대 해석학의 제문제" 한국해석학회편 229-243, 1997

4 홍기순, "유리 로뜨만의 예술 및 비예술적 텍스트에서 나타나는 특수성의 개념<예술텍스트의 구조>를 중심으로. 슬라브 연구" 21 (21): 339-362, 2005

5 윤덕경, "안무 언어의 제 요소" 늘봄

6 손수현, "수용미학의 관점에서 본 무용텍스트 개념과 텍스트 수용과정에 관한 연구" 한국무용교육학회 17 (17): 187-203, 2006

7 김혜은, "무용창작과 표현의 기초적 이해" 형설출판사 2006

8 김진엽, "가다머와 프라티즘의 만남 : 해석에 대한 토대론과 회의론을 넘어서. 현대 해석학의 제문제" 한국해석학회편 204-207, 1997

9 손수현, "가다머(H. G. Gadamer)의 해석학을 통해 본 무용해석에 대한 이론적 탐구" 대한무용학회 113-134, 2006

10 E. Fischer-Lichte, "Ästhetik des Performativen"

11 H.G.Gadamer, "Wahrheit und Methode” Grundzüge einer philosophischen Hermeneutik"

12 Susan Bennett, "Theatre Audience : A Theory of Production and Reception" Routledge 2001

13 Jurij Lotmann, "The Structure of the Artistic Text" University of Michigan 1977

14 Michael Worton, "Intertextuality : Theories and Preactices" Manshester University Pres. 1990

15 Wolfgang Iser, "Der Akt des Lesens: Theorie ästhetischer Wirkung" Wilhelm Fink Verlag München 1976

16 Janet Adshead Lansdale, "Dancing Tests : intertexuality in interpretation" Dance Books 1999