스토파드의 『사랑의 발명』 : 과거 재현과 현대적 재해석 = Finch. Re-presentation and Re-interpretation of the Past in Stoppard’s

다국어 초록 (Multilingual Abstract)

In his 1997 stage play, The Invention of Love, Tom Stoppard re-presents the fantasies and realities of A. E. Housman, an English classical scholar and romantic poet, contrasting his life and loves with those of his dramatic (and contemporary) foil, Oscar Wilde. Also at the heart of the play is the poignant meeting between the older Housman (“AEH”) and his younger self (“Housman”). Stoppard’s text deals (at a philosophical level)　with the nature of love, poetry, scholarship, aesthetics, and attitudes to homosexuality in late Victorian England, the latter focus designed to challenge audience members into reappraising their preconceptions. This paper examines the ways in which the playwright employs uniquely Stoppardian juxtapositions to re-interpret the past and to re-examine philosophical concepts about art and love.

참고문헌 (Reference)

1 Nadel, Ira, "Tom Stoppard: A Life" Palgrave Macmillan 2002

2 Conrad, Peter, "Thomas the Think Engine" Observer 1998

3 Zeifman, Hersh, "The comedy of Eros: Stoppard in love" Kelly 185-200,

4 Burnett, Archie, "The Poems of A. E. Housman" Clarendoon 1997

5 Hodgson, Terry, "The Plays of Tom Stoppard for Stage, Radio, TV and Film" Icon 2001

6 Macaulay, Alastair, "The Man Who Was Two Men" Financial Times 1998

7 Stoppard, Tom, "The Invention of Love" Grove 1998

8 Kelly, Katherine E., "The Cambridge Companion to Tom Stoppard" Cambridge UP 2001

9 Fleming, John, "Stoppard’s Theatre:Finding Order amid Chaos" U of Texas P 2001

10 Billington, Michael, "Stoppard: The Playwright" Methuen 1987

11 Nadel, Ira, "Stoppard and film" Kelly 84-103,

12 Jones, Peter, "Aphrodite in All Her Guises" Daily Telegraph 1997