영화의 기술발전에 따른 광학적 영상표현 방식 변천 연구 : 1950년대 이전 한국영화의 회상장면을 중심으로 = A Study of change for a optical expression method by film technology growth

국문 초록 (Abstract)

한국영화가 일제강점기와 겹쳐서 도래하면서 불완전한 기계적, 환경 적 제약 아래 놓여 있음에도 불구하고 영화인들은 실험적인 신기술의 도입과 다양한 방법으로 영상기술 축적을 도모한 동시에 역동적인 예술혼을 펼쳐 한국영화의 정서를 표현하고자 했다. 이를 토대로 초창기 한국 영화 기술 발전의 변천과정에서 나타난 1950년대 이전 한국영화를 중심으로 회상 장면 구현에 사용된 광학적 영상 표현 방식을 영화 제작기술 측면의 비교분석과 구현방식의 사적 변화를 살펴보려 한다.

다국어 초록 (Multilingual Abstract)

The objective of this thesis is the historical, sectional, comparative and photographic analysis of flashback expression techniques, especially from the viewpoint of optical image processing methods, in the early stage of korean motion pictures produced in 1930s to 1950s. Generally film making consists of three major shooting stages; shooting preparation, shooting phase and shooting completion. While the production stage of shooting phase has relative materiality throughout overall film making process, this thesis spotlights on the post production stage of shooting completion for analyzing and examining the various optical image processing techniques realized in the flashback scenes. Unlike modern computerized movies, film making itself in the quickening era of korean movies was a challenging and experimenting tasks that are compelled to adopt and utilize cutting edge film processing techniques introduced by foreign countries. Korean movie engineers quickly accumulated diverse optical shooting techniques and gradually became technical experts to make their own independent historical films. This thesis tries to trace and analyzes those optical image processing techniques through the six early korean movies, and eager to examine them case by case sectionally in the aspect of photographic shooting technology. Thus this paper may be helpful to anybody who are interested in the optical image processing techniques or the history of early korean movies.