신라 쌍석탑의 같음과 다름의 앙상블 = The Same and Different Ensemble of the Silla double Stone Pagoda

다국어 초록 (Multilingual Abstract)

Immediately after the approval of Buddhism in the Three Kingdoms period, temples were built around the Capital, and since Buddha Pagodas and Buddhist statues were a key object of faith in Buddhism, they were the first factors to be considered when constructing temples. In our history, the wooden Pagoda was initially built as a wooden Pagoda, but it had weaknesses such as being vulnerable to fire and poor durability. The mainstream of the pagoda was later formed with the emergence of a stone pagoda made of new materials. The stone pagoda began to be built from the Three Kingdoms period, and during the Unified Silla period, the arrangement of double-Pagoda garams was prevalent. Therefore, we tried to understand the current status of the double Pagodas built during the Unified Silla Period and to compare and consider the overall size and appearance of the two stone pagodas for each temple, the contrast technique and style, and detailed tartar methods and techniques.
In the Unified Silla Period, the double Pagodas were generally the same in overall size and appearance, and it was common to build two stone pagodas symmetrically containing the same contrast technique and style. However, the double Pagodas of the Unified Silla Period differ slightly in contrast techniques, styles, and tartar techniques, but they are almost identical stone pagodas, and the overall contrast techniques and styles are similar, but there are distinct differences in detailed tartar techniques and techniques, and the contrast technique is divided into two distinctly distinctive Pagodas, including the overall appearance. We must break the stereotype that the double Pagodas of the Unified Silla Period will all be the same, which seems to have differed slightly depending on the artisan, the tartar method, and the condition of the gemstone during the construction process. These differences are believed to have resulted from differences in individual skill levels, aesthetic sense, technique, and technique. These double Pagodas of the Unified Silla Period show a harmonious ensemble as objects of appreciation containing symbolism and religious faith.