The aim of this research is to classify intrinsic attribution of ‘la differance images’ which are core propositions of changeability of fashion style. The specific questions of this research are; what are the definition of ‘changeability of fash...

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https://www.riss.kr/link?id=A100154851
2014
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changeability ; 가변성 ; la differance ; 차연 ; la differant image ; 차연적 이미지 ; fashion style ; 패션스타일 ; supplement ; 대리보충
500
KCI등재
학술저널
680-688(9쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The aim of this research is to classify intrinsic attribution of ‘la differance images’ which are core propositions of changeability of fashion style. The specific questions of this research are; what are the definition of ‘changeability of fash...
The aim of this research is to classify intrinsic attribution of ‘la differance images’ which are core propositions of changeability of fashion style. The specific questions of this research are; what are the definition of ‘changeability of fashion’, ‘la differance’ and ‘supplement’ and what are the relationships?, how the la differance images which are intrinsic of changeability of fashion style exist? and what is intrinsic attribution of ‘ultimate la differant image’, ‘immediate la differant image’ and ‘la differant image of the trace’? The researchers deployed a qualitative research method providing a systematic review of the previous studies. In conclusion, the ‘supplement’ phenomenon and ‘la differant images’ shown in the changeability of fashion style, covers up the gap between the structural layers through the play led by supplement logic in the subconscious place of la differance of dialectical frame. They produce styles that have current value and become generalized la differant images of trace through the play of ‘la dissemination.’ These images repeat their individual play to reproduce a new different ‘la differant images’ and complete the aesthetics of harmony in the state of ‘reservation,’ ‘deferment’ and ‘postponement’. The images are ready to make history and they create ‘ultimate la differant images’ from the demand of different period, and tries to combine with ‘supplement’ within ‘the gap of la differance.’ This process endlessly repeats in the dialectical frame through the la differant’ play led by time and space, and it continuously produces new style that is required by different time and space.
학교체육복의 개발 방향에 관한 연구 -부산지역 초, 중, 고등학생들을 중심으로-
4.19 혁명과 5.16 군사정변기의 이데올로기와 복식