1 Richards, J., "Two Titanics" (28) : 35-45, 1977
2 Roxanna, W., "Trajectories of Memory: Documenatry and Film and the Transmission of Testimony" 18 (18): 51-71, 2007
3 Chanan, M., "The Politics of Documentary" British Film Institute 2007
4 Pronay, N., "The Moving Picture and Historical Research" 18 (18): 365-395, 1983
5 Michell, E., "The Movie Can Credit a Cop Show" 2002
6 Wright, B., "The Long View" Secker & Warburg 1974
7 Kilborn, R., "The Docu-Soap: A Critical Assessment, From Grierson to Docu-Soap: Breaking the Boundaries" University of Luton Press 2000
8 Corner, J., "The Art of Reord: A Critical Introduction to Documentary" Manchester University Press 1996
9 Flaherty, F., "Robert Flaherty: Explorer and Film Maker’ Mime graphed" Hasting House 1958
10 Grierson, J., "Postwar Pattern Hollywood" 2 : 159-165, 1946
1 Richards, J., "Two Titanics" (28) : 35-45, 1977
2 Roxanna, W., "Trajectories of Memory: Documenatry and Film and the Transmission of Testimony" 18 (18): 51-71, 2007
3 Chanan, M., "The Politics of Documentary" British Film Institute 2007
4 Pronay, N., "The Moving Picture and Historical Research" 18 (18): 365-395, 1983
5 Michell, E., "The Movie Can Credit a Cop Show" 2002
6 Wright, B., "The Long View" Secker & Warburg 1974
7 Kilborn, R., "The Docu-Soap: A Critical Assessment, From Grierson to Docu-Soap: Breaking the Boundaries" University of Luton Press 2000
8 Corner, J., "The Art of Reord: A Critical Introduction to Documentary" Manchester University Press 1996
9 Flaherty, F., "Robert Flaherty: Explorer and Film Maker’ Mime graphed" Hasting House 1958
10 Grierson, J., "Postwar Pattern Hollywood" 2 : 159-165, 1946
11 Morris, E., "Play It Again, Sam" 2008
12 Clifford, J., "New Documentary: A Critical Introduction" Routledge 1988
13 Winston, B., "Lies, Damn Lies and Documentaries" British Film Institute 2008
14 Michelson, A., "Kino-Eye: The Writing of Dziga Vertov" University of California Press 1984
15 Williams, R., "Keywords: A Vocabulary of Culture and Society" Fontana 1976
16 Nichols, B., "Introduction to Documentary" Indiana University Press 2001
17 Madge, C., "Humphrey Jennings: Filmmaker, Painter, Poet" British Film Institute 1982
18 Rosenstone, R., "History on Film/Film on History" Longman 2006
19 Aitken, I., "Film and Reform: John Grierson and the Documentary Film Movement" Routledge 1990
20 Barnouw, E., "Documentary: A History of the Non-Fiction Film" Oxford University Press 1983
21 Bluem, W., "Documentary in American television" Hasting House 1965
22 Winston, B., "Claiming the Real: The Documentary Film Revistied" British Film Institute 1995
23 Nichols, B., "Blurred Boundaries: Questions of Meaning in Comtemporary Culture" Indiana University Press 1994
24 Roscoe, J., "Big Brother Australia: Performing the ‘Real’ Twenty-for-seven" 4 (4): 473-488, 2001
25 Jack, E., "A New History of Documentary Film" Continuum 2005