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      사실적 영상물에서 다루는 다양한 층위의 현실과 진실들: 다큐멘터리, 다큐소프(docu-soap) 그리고 리얼리티 프로그램을 중심으로 = The Diversity of Realities and Truths of Factual Programs: Focusing on Documentary, Docu-soap and Reality Show

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      https://www.riss.kr/link?id=A82400990

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Documentaries have gained in popularity over the recent years. Along with this trend, factual TV programs, such as reality show and docu-soap have been dominating prime time broadcasts. Nowadays, many of those programs intentionally use the term ``reality`` and/or ``documentary`` to emphasize the connection between them and documentary genre. In this context, this paper examines various notions and boundaries of the factual TV programs. Having identified the dominant modes of documentaries and factual programs, this paper explains the similarities and differences among docu-soap, reality program and documentary based on the various notions of realities and truths. By doing this, this paper intends to address the essences and directions of the fields of documentary, docu-soap and reality show in Particular, and factual TV programs in general.
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      Documentaries have gained in popularity over the recent years. Along with this trend, factual TV programs, such as reality show and docu-soap have been dominating prime time broadcasts. Nowadays, many of those programs intentionally use the term ``rea...

      Documentaries have gained in popularity over the recent years. Along with this trend, factual TV programs, such as reality show and docu-soap have been dominating prime time broadcasts. Nowadays, many of those programs intentionally use the term ``reality`` and/or ``documentary`` to emphasize the connection between them and documentary genre. In this context, this paper examines various notions and boundaries of the factual TV programs. Having identified the dominant modes of documentaries and factual programs, this paper explains the similarities and differences among docu-soap, reality program and documentary based on the various notions of realities and truths. By doing this, this paper intends to address the essences and directions of the fields of documentary, docu-soap and reality show in Particular, and factual TV programs in general.

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      참고문헌 (Reference)

      1 Richards, J., "Two Titanics" (28) : 35-45, 1977

      2 Roxanna, W., "Trajectories of Memory: Documenatry and Film and the Transmission of Testimony" 18 (18): 51-71, 2007

      3 Chanan, M., "The Politics of Documentary" British Film Institute 2007

      4 Pronay, N., "The Moving Picture and Historical Research" 18 (18): 365-395, 1983

      5 Michell, E., "The Movie Can Credit a Cop Show" 2002

      6 Wright, B., "The Long View" Secker & Warburg 1974

      7 Kilborn, R., "The Docu-Soap: A Critical Assessment, From Grierson to Docu-Soap: Breaking the Boundaries" University of Luton Press 2000

      8 Corner, J., "The Art of Reord: A Critical Introduction to Documentary" Manchester University Press 1996

      9 Flaherty, F., "Robert Flaherty: Explorer and Film Maker’ Mime graphed" Hasting House 1958

      10 Grierson, J., "Postwar Pattern Hollywood" 2 : 159-165, 1946

      1 Richards, J., "Two Titanics" (28) : 35-45, 1977

      2 Roxanna, W., "Trajectories of Memory: Documenatry and Film and the Transmission of Testimony" 18 (18): 51-71, 2007

      3 Chanan, M., "The Politics of Documentary" British Film Institute 2007

      4 Pronay, N., "The Moving Picture and Historical Research" 18 (18): 365-395, 1983

      5 Michell, E., "The Movie Can Credit a Cop Show" 2002

      6 Wright, B., "The Long View" Secker & Warburg 1974

      7 Kilborn, R., "The Docu-Soap: A Critical Assessment, From Grierson to Docu-Soap: Breaking the Boundaries" University of Luton Press 2000

      8 Corner, J., "The Art of Reord: A Critical Introduction to Documentary" Manchester University Press 1996

      9 Flaherty, F., "Robert Flaherty: Explorer and Film Maker’ Mime graphed" Hasting House 1958

      10 Grierson, J., "Postwar Pattern Hollywood" 2 : 159-165, 1946

      11 Morris, E., "Play It Again, Sam" 2008

      12 Clifford, J., "New Documentary: A Critical Introduction" Routledge 1988

      13 Winston, B., "Lies, Damn Lies and Documentaries" British Film Institute 2008

      14 Michelson, A., "Kino-Eye: The Writing of Dziga Vertov" University of California Press 1984

      15 Williams, R., "Keywords: A Vocabulary of Culture and Society" Fontana 1976

      16 Nichols, B., "Introduction to Documentary" Indiana University Press 2001

      17 Madge, C., "Humphrey Jennings: Filmmaker, Painter, Poet" British Film Institute 1982

      18 Rosenstone, R., "History on Film/Film on History" Longman 2006

      19 Aitken, I., "Film and Reform: John Grierson and the Documentary Film Movement" Routledge 1990

      20 Barnouw, E., "Documentary: A History of the Non-Fiction Film" Oxford University Press 1983

      21 Bluem, W., "Documentary in American television" Hasting House 1965

      22 Winston, B., "Claiming the Real: The Documentary Film Revistied" British Film Institute 1995

      23 Nichols, B., "Blurred Boundaries: Questions of Meaning in Comtemporary Culture" Indiana University Press 1994

      24 Roscoe, J., "Big Brother Australia: Performing the ‘Real’ Twenty-for-seven" 4 (4): 473-488, 2001

      25 Jack, E., "A New History of Documentary Film" Continuum 2005

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가 재인증평가 신청대상 (재인증)
      2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
      2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 1.04 1.04 1
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.94 1.04 1.477 0.09
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