Classical art and the cultures of Greece and Rome

목차 (Table of Contents)

• CONTENTS
• Acknowledgements = ⅸ
• Preface = xi
• 1 The Culture of the Greek Workshop = 1
• Man as Raw Material = 1
• The Body and Its Tools = 6
• Military and Civil Crafts = 8
• 2 Greek Art and the Culture of Conflict = 9
• The General as Craftsman and the Soldier as Artefact = 9
• The Necessity of the Phalanx = 14
• The Iliad : Women at Home, Men at War = 18
• War and Art : The 'Military' Style of Pottery = 21
• War and Art : Phalanx and Temple = 26
• War and Philosophy : Kosmos and Harmonia = 30
• War and Philosophy : The first 'Mathematicians' = 35
• War, Mathematics and Art : The 'Square' Man = 36
• Mathematical Art versus the Mathematical Army = 41
• Plato and the Mathematical Guards = 47
• The Power of Women and the Aesthetics of Peace = 51
• 3 Greek Art and the Culture of Competition = 57
• Work and competition = 57
• Competition, Imitation and Improvement = 58
• Competition : Its Organisation and Regulation = 60
• Competition in Art = 64
• Competition and the Rise of Classical Art = 67
• Competition and Continuous Change = 74
• The Intellectual Marketplace : Competitive Models = 93
• The Intellectual Marketplace : Plato's Paradigm = 98
• Isocrates and the Theory of Classical Culture = 100
• 4 Hellenistic Art and the Culture of Character = 105
• Alexander : Paradigmatic Breaker of the Paradigm = 105
• Alexander and Art = 110
• Responses to the Paradigm = 112
• The 'Modern's Artist = 115
• 'Modern' Art = 120
• The Patron, the Artist, the Model and the Viewer = 126
• From the Viewer as Hero to the Viewer as Victim = 131
• Man Caught in His Own Net = 145
• Paradigms Packaged : Education and the Copy = 154
• Athens, the Capital of Packaging = 159
• 5 Roman Art and the Culture of Memory = 162
• The Instruments of Success = 162
• Augury and Mapping = 173
• Art and Memory = 177
• Money, Monuments and Signs = 181
• Monuments and Memory = 187
• Vespasian's Architectural Memory System = 193
• Money and Monu$$\grave m$$ents in the Later Empire = 199
• Memorials of the Dead = 205
• Christianity : A Contract for the After­life = 210
• The Sign of the Cross = 213
• 6 Rome and the Culture of Imagination = 217
• Beyond Reason = 217
• Metamorphosis and the Magic of Augustus = 219
• Metamorphosis of Nature = 227
• Metamorphosis and the History of Art = 232
• Metamorphosis of Culture = 234
• Roman Style as the Style of Transformation = 245
• The Empire of the Imagination = 249
• Rhetoric and the Education of the Imagination = 256
• The Educated Imagination and the Work of Art = 261
• Imagination and the Psychology of Perception = 267
• From Images in Clouds to Pictures in Marble = 268
• The Rise of the Imagination and Material Decline = 274
• Dreams and Visions ； Conversion and Transubstantiation = 275
• 7 The Culture of the Christian Church = 279
• Closing the Schools = 279
• the Christian and the External World = 280
• The Christian and the Internal World = 282
• Christian Building Blocks = 286
• Bibliographical Note = 291
• List of Illustrations = 294
• Index = 300