버내큘러 디자인 관점에서 본 신한복 스타일

다국어 초록 (Multilingual Abstract)

The purpose of this study is to delve into the identity of the New-Hanbok style in modern fashion, and to survey its formative characteristics and internal values from the perspective of vernacular design. Arguments can be summed up as follows. The study historically examines the changes in Hanbok and concludes that the social and cultural backgrounds and factors that caused the advent of the New Hanbok are ① the change and expansion of the basic social, cultural, and popular perception toward the Korean image, ② the rapid spread of a subculture centering on the younger generation, and ③ the voluntary and systematic activities of nonprofit clubs, communities and private organizations. This is the cycle of the spread of Hanbok, which shows the subcultural selection and development process of upward propagation. Furthermore, the public, in addition to holding fast to an independent attitude regarding their choices, also show that they tolerate diversity. As a perspective of analyzing the New Hanbok style, the study suggests the characteristics of the vernacular design perspective as ① a spontaneous indigenous nature ② living everydayness ③ and the subcultural-ness of the era. From such a perspective, the study examines the formative characteristics of the basic costume configuration of the New Hanbok style including jeogori, traditional Korean skirts, Cheollik one-pieces, and Trompe loeil one-pieces, and draws out the meanings contained in the New Hanbok style, which are ① spontaneous indigenous nature and directivity toward tradition, ② living everydayness and modernity, and ③ open subcultural-ness.

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