We have had a common sence, a Sijopoem is builded with three part and so it is harmonious with the Sijo which is builded with three part also. But if we understand a Sijopoem from the viewpoint of the flowing of sentimet, we can find the structure of ...
We have had a common sence, a Sijopoem is builded with three part and so it is harmonious with the Sijo which is builded with three part also. But if we understand a Sijopoem from the viewpoint of the flowing of sentimet, we can find the structure of a Sijopoem is builded with five part. And so a Sijopoem is more harmonious with the Kagok(builded with five part) than with the Sijo(builded with three part). Many Sijopoems which sung in the early and middle years, the sentimet of a poem flows passing five steps. The flowing energy of sentimet begins to move in the first part of a Sijopoem. And it raises more powerfully in the second part, In the third part, it has raised more and more and arive at the highest. At last it explodes at the four part and lasts for a while and in the five part the energy declines gradually and stop. My paper has a new idea of a Sijopoem`s form and structure. But Cho, sun-ja`s utterance about the structure of the Kagok and Cho, yoon-jae`s utterance about the structure of a Sijopoem can uphold my new idea. A Sijopoem`s form and structure can be undrestood builded with two part, and builded with three part, and also builded with five part. Each viewpont has the bases to prove. And then, Sijopoems have sung for a long time and have changed it`s outer form and inner mood and sentiment. So we must have some more prudent attitude to search Sijopoems and also to show the typical model.