영화를 통한 폴란드 민족의 정체성 탐구와 역사에 대한 비판적 성찰

다국어 초록 (Multilingual Abstract)

This study is on the Polish film director Andrzej Wajda s war trilogy Generation(1955), Kanal(1957), and Ashes and Diamonds(1958). These films are valuable both in historical and cinematic terms. Wajda has criticized Polish history through these films and presented the direction of the Polish society. Therefore, this study aims to analyze the characteristics of these films and to examine the interaction between Polish history and film.
Poland was ruled by the great powers over a period of 123 years. At this time, it was the ‘ethnicities’ that became the center point in the absence of the ‘nation’. These influences led to the development of Polish romanticism, and subsequently to the films of Wajda.
In addition, the trilogy was influenced by the Polish film tradition of realistic tendencies. Filmmakers in Poland have always produced realistic films by taking the material of their films from their own history. Wajda also had a sense of realistic depiction of history and tried to solve the problem of reality.
Finally, Wajda describes the post-war generation suffering in history as a suffering Messiah. After the death of Stalin, Polish society entered the thaw, and gradually became able to describe individuals more personally than the influence of socialistic realism.
Wajda was influenced by Polish Romanticism, but critical of reckless patriotism. This was possible because he recorded history through the film and tried to reflect on the past constantly and worked to explore the Polish identity. Therefore, it is also meaningful to look back on how the film and history can be related to each other through the war trilogy of Wajda.

참고문헌 (Reference)

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