<선루별곡(仙樓別曲)>을 통해 본, 19세기 초 성천(成川)의 관변풍류(官邊風流)와 정재공연(呈才公演) = The Public Performance of Gwanbyeon Pungryu and Jeongjae of Seongcheon in the Early 19th Century, Examined through < Seonlu Byeolgok >

다국어 초록 (Multilingual Abstract)

This article examines through the Gasa work of < Seonlu Byeolgok > that Jeongjae, which is important in Korean traditional dance, was performed not only at Court but also at the provinces as an important procedure. < Seonlu Byeolgok >, which was not particularly noticed even in the world of Korean literature, is a travel Gasa of amusement written by Mano Ihuyeon on September 1838. Although the length of this work is a total of about 100 verses, which was relatively small quantity of Gasa, the Gasa described interestingly the content that the writer enjoyed Singwandoimyeon with both Gangseonlu of Dongmyeongwan and Biryujang for background after going to Seoncheonbu along with nowon Iingo of Gyeongwhasajok birth, who was newly appointed as a Seongcheonbusa in the same year (1838). In this work, the performance of Gwanbyeon Pungryu and Jeongjae of Seongcheon in the early 19th century is described in detail together with the writer's impressions. Through the work, performance situations of Gyobang Jeongjae, which was played at local government circles, can be learned. These cases are occasionally found in Sahaenglok or travel Gasa, etc, and this article suggests humane reading about Jeongjae, a national dance, from the standpoint of information exchange among academic fields, with literary works of < Seonlu Byeolgok > as a case.