이동전화의 이용에 따른 결과와 가치의 탐색

다국어 초록 (Multilingual Abstract)

The aim of this study is to understand transnational receptions of popular culture products in East Asia by critically employing the concept of 'hybridity.' Recently, hybridity concept has drawn plenty of attention for its potentiality of explaining the articulations between the global and the local. However, due to its conceptual ambiguity, hybridity is also considered vulnerable to the transnational capitalists' appropriation. Nonetheless, the conceptual merit of hybridity lies in its ability to reveal the modes in which hybrid cultural texts and reception practices are articulated with established power relations in social contexts. In the case of Korean and Japanese co-produced dramas, the most distinct feature in the construed hybrid texts is found in the way of combining leading characters' gender with their nationality to repress both peoples' collective memories of Japanese colonization. While it sustains unequal gender power relations and creates, it also opens an imaginary space for experiencing a new bond between two peoples. In conclusion, this paper argues that the transcultural production and reception of hybrid culture products in East Asia so far has revealed the potential to reconfigure, dis-articulate and re-articulate power relations between genders and nationalities in the way of leaving room to change the terrains.

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