남북한 무용교류의 실제와 현황 = The Truth and Present State of South and North Korea Dance Exchanges

다국어 초록 (Multilingual Abstract)

Dances of South and North Korea share the same formal feature based on the new dance of Choi, Seung-hee and have been maintaining exchange under influence of South-North relationship. As a result, we expect active interrelationship when amicable mood is set between South and North. On the other hand, we face immediate contraction when there is a tight relationship. Recently, however, the expectation for interchange of South-North culture and arts is culminating than any other time and the issue of the data of North`s Choi, Seung-hee dance research institute to be published in South is being discussed. This suggests the possibility of exchange of art works and performances in the future. Assuming the realization of active dance exchange between South and North in the future, this study intends to establish a foundation for interchange by analyzing past cases of South-North dance exchange, its programs, repertoire, and trends. Referred cases of South-North dance exchanges were 1985 South-North separated family reunion and exchange performance of Performing Arts group, Pyoungyang performance by Little Angels of World Peace Arts Union 1988, 8.15 National Liberation Day performance by North Arts group 2002. Analysis of these exchange programs showed that the basis of these programs were strictly about non-political contents mainly dealing folk customs with performing time less than 10 minutes. Forms of movements in exchange programs were based on the styles of Choi`s new dance both for South and North. South dance movements were mainly composed with Korean moves with traditional elements. Movements of the North were highlighted by the application of fast and moderate moves which was influenced by Russia and China. For dance costumes, both South and North used traditional and original costumes with designs and colors appropriate to the themes. Also both freely selected music among folk songs, and original music (Korean classical music, western music). Themes of performances were mainly about folk customs. In conclusion, the trend of dances performed throughout South-North dance exchange were limited to non-political, folk materials to give the message of recovery of national homogeneity under the reality of discontinued mutual exchange after the division. Now the future exchange should expand its repertoire to include works representing each cultural feature under premises of mutual recognition and understanding.

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