안전한 판화기법과 재료에 관한 연구 = The Study of Safe Printmaking Techniques and Materials

국문 초록 (Abstract)

새로운 미술기법을 교육현장에서 사용하기 이전에 오랜 기간 동안 실험을 통하여 그 효율성과 안전성을 입증해야 한다. 판화교육에서 효율성과 신뢰성을 고려한 안전한 판화기법을 대부분의 판화가 뿐만 아니라 미술교육자들이 판화제작에서 새로운 시도로 보고 채택한다. 즉, 그들은 안전한 판화기법의 장점을 인식하여 새로운 안전한 방법으로 작품을 제작해도 전통적인 방법으로 제작하는 것과 같은 효과를 얻을 수 있고 더욱이 미술가의 건강과 안전에 해를 미치지 않는다는 것을 알고 있다. 독성 화학물을 포함하고 있는 판화재료를 판화가와 학습자들이 사용하기에 안전한 대체물질로 대신하는 것으로 미술교육과정에서 안전한 판화제작기법이 전통적인 방법의 판화보다 안전한가를 연구할 필요성이 있다. 이 연구의 목적은 유독성 미술재료가 인체에 미치는 영향을 연구하고 이런 재료를 판화실에서 제거하여 미술교육에서 안전한 판화제작기법의 다양성과 효율성을 알려 판화에 대한 관심을 가지고 안전한 판화재료를 사용하는 미술수업을 하는 것이다.

다국어 초록 (Multilingual Abstract)

New art techniques and materials used in the educational field for a long period prior to the effectiveness and safety throughout the experiment should be able to prove. Considering the efficiency and reliability of safe printmaking techniques and materials in art education, not only most printmakers but art educators attempt to adopt a new safe printmaking. In other words, they recognize the advantage of safe printmaking techniques is to achieve the same effect and it does not have any harm to their health and safety. Printmakers who choose to switch to safe techniques will not only increase their health and well being but will also increase their productivity and potential for creative image making. Switching to safe methodologies produces technically superior prints in less time and with reduced cost.
The necessity of this study is that traditional toxic printmaking techniques and materials used by art students and printmakers should be eliminated, and safer alternatives of techniques and materials in printmaking is researched. The purpose of this study is to research the impact of toxic art materials in printmaking to our health and safety, and to be interested in the diversity and efficiency of new safe printmaking techniques.

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