RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재

      ‘유토피아’를 향한 러시아 인텔리겐치아의 이상과 한계: 스토파드의 삼부작 The Coast of Utopia를 중심으로 = The Ideals for ‘Utopia' and Limitations of Russian Intelligentsia in Tom Stoppard's Trilogy The Coast of Utopia

      한글로보기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      The aim of this paper is to study the political ideals and limitations of Russian intelligentsia in the 19th century, centering on Tom Stoppard’s trilogy The Coast of Utopia. The Russian intelligentsia was armed with Western enlightenment ideals and aimed at liberating peasants from serfdom and tyranny and transforming Russia from a structural point of view. Being a thinker who inspired Stoppard to write this trilogy, Alexander Herzen is at the center of The Coast of Utopia.
      Chapter 2 analyzes the situation of the 19th century Russia, described in the first play Voyage. It also includes a grasp of the Russian manor system and the serfdom system under the Tsarist regime. The serfdom system in the 19th century Russia is an important basis for explaining the structural problems of the Russian society, such as the underdevelopment of capitalist production system, the backwardness in modern industrial development, and the absence of the citizen class. Chapter 3 focuses on the exchange of thoughts among Herzen and other intelligentsia, who had left their own countries and lived in Europe. In particular, I would like to discuss how the failure of the French Revolution of 1848 influenced Herzen’s ideological journey. Chapter 4 deals with Herzen’s life in exile in the UK, his Free Russia publishing activities, and the disagreement with the ’60s Russian political theorists.
      Herzen perceived the communistic elements, such as the principle of collective production and distribution, the centralization of power, and the negation of private property system, as monolithic, repressive and barbaric elements. Herzen, as well as Stankevich and Turgenev, all of whom are noble intelligentsia, was unable to sympathize with the radical ideas of communism. However, the Russian intelligentsia in 1840-50s became a good foundation for the birth of a new generation of the 1860s and further laid the foundation of the Russian communist revolution in the early 20th century.
      Through the trilogy, Stoppard tries to shape a new perspective on the 19th century Russian intelligentsia, especially on Herzen. The Russian intelligentsia he depicted is a “noble” human race that chose to liberate peasants and reform the repressive Tsarist system rather than live comfortably in their own identity and property. Furthermore, Stoppard grants a keen perception to Herzen who grasped the limits of the monolithic and repressive communist revolution.
      번역하기

      The aim of this paper is to study the political ideals and limitations of Russian intelligentsia in the 19th century, centering on Tom Stoppard’s trilogy The Coast of Utopia. The Russian intelligentsia was armed with Western enlightenment ideals and...

      The aim of this paper is to study the political ideals and limitations of Russian intelligentsia in the 19th century, centering on Tom Stoppard’s trilogy The Coast of Utopia. The Russian intelligentsia was armed with Western enlightenment ideals and aimed at liberating peasants from serfdom and tyranny and transforming Russia from a structural point of view. Being a thinker who inspired Stoppard to write this trilogy, Alexander Herzen is at the center of The Coast of Utopia.
      Chapter 2 analyzes the situation of the 19th century Russia, described in the first play Voyage. It also includes a grasp of the Russian manor system and the serfdom system under the Tsarist regime. The serfdom system in the 19th century Russia is an important basis for explaining the structural problems of the Russian society, such as the underdevelopment of capitalist production system, the backwardness in modern industrial development, and the absence of the citizen class. Chapter 3 focuses on the exchange of thoughts among Herzen and other intelligentsia, who had left their own countries and lived in Europe. In particular, I would like to discuss how the failure of the French Revolution of 1848 influenced Herzen’s ideological journey. Chapter 4 deals with Herzen’s life in exile in the UK, his Free Russia publishing activities, and the disagreement with the ’60s Russian political theorists.
      Herzen perceived the communistic elements, such as the principle of collective production and distribution, the centralization of power, and the negation of private property system, as monolithic, repressive and barbaric elements. Herzen, as well as Stankevich and Turgenev, all of whom are noble intelligentsia, was unable to sympathize with the radical ideas of communism. However, the Russian intelligentsia in 1840-50s became a good foundation for the birth of a new generation of the 1860s and further laid the foundation of the Russian communist revolution in the early 20th century.
      Through the trilogy, Stoppard tries to shape a new perspective on the 19th century Russian intelligentsia, especially on Herzen. The Russian intelligentsia he depicted is a “noble” human race that chose to liberate peasants and reform the repressive Tsarist system rather than live comfortably in their own identity and property. Furthermore, Stoppard grants a keen perception to Herzen who grasped the limits of the monolithic and repressive communist revolution.

      더보기

      참고문헌 (Reference)

      1 김태우, "톰 스토파드(Tom Stoppard)의 Voyage 연구" 한국현대영미드라마학회 28 (28): 87-114, 2015

      2 박윤형, "러시아 정치사상사" 문예림 2000

      3 오두영, "농노 소유권의 기원에 대한 러시아 史學史上의 논쟁" 인문과학연구소 34 (34): 99-122, 2007

      4 Daniels, Peter, "Tom Stoppard’s The Coast of Utopia" EBSCO

      5 Carr, E. H., "The Romantic Exiles" Serif 2007

      6 Gessen, Keith, "The Revolutionist: The Worldly Idealist at the Heart of Stoppard’s Coast of Utopia" New Yorker

      7 Bell, James, "The Grand Illusion: Finding Utopia in Stoppard’s Epic The Coast of Utopia" 27 (27): 43-59, 2010

      8 O’Connor, James, "The French Revolution in Russian Intellectual Life: 1865-1905" Routledge 2009

      9 Kelly, Aileen, "The Discovery of Chance: The Life and Thought of Alexander Herzen" Harvard UP 2016

      10 Trigos, Ludmilla A., "The Decembrist Myth in Russian Culture" Palgrave 2009

      1 김태우, "톰 스토파드(Tom Stoppard)의 Voyage 연구" 한국현대영미드라마학회 28 (28): 87-114, 2015

      2 박윤형, "러시아 정치사상사" 문예림 2000

      3 오두영, "농노 소유권의 기원에 대한 러시아 史學史上의 논쟁" 인문과학연구소 34 (34): 99-122, 2007

      4 Daniels, Peter, "Tom Stoppard’s The Coast of Utopia" EBSCO

      5 Carr, E. H., "The Romantic Exiles" Serif 2007

      6 Gessen, Keith, "The Revolutionist: The Worldly Idealist at the Heart of Stoppard’s Coast of Utopia" New Yorker

      7 Bell, James, "The Grand Illusion: Finding Utopia in Stoppard’s Epic The Coast of Utopia" 27 (27): 43-59, 2010

      8 O’Connor, James, "The French Revolution in Russian Intellectual Life: 1865-1905" Routledge 2009

      9 Kelly, Aileen, "The Discovery of Chance: The Life and Thought of Alexander Herzen" Harvard UP 2016

      10 Trigos, Ludmilla A., "The Decembrist Myth in Russian Culture" Palgrave 2009

      11 Stoppard, Tom, "The Coast of Utopia" Grove 2006

      12 Kelly, Aileen, "Russian Thinkers" Penguin 2008

      13 Berlin, Isaiah, "Russian Thinkers" Penguin 2008

      14 Moss, Stephen, "Review: Profile: Tom Stoppard"

      15 Campbell, Thomas Harlan, "Reading the Gercen ‘Family Drama’: Tom Stoppard’s Shipwreck and the Discourse of English ‘Herzenism’" 61 (61): 2007

      16 Alterman, Eric, "Liberalism’s Lost Libretto" The Nation

      17 Lenin, V. I., "In Memory of Herzen" 18 : 25-31, 1975

      18 Tucker, Herbert F., "History Played Back: In Defense of Stoppard’s Coast of Utopia" 24 (24): 149-169, 2005

      19 Herzen, Alexander, "From the Other Shore and The Russian People and Socialism" Oxford UP 1979

      20 Stoppard, Tom, "Arcadia" Faber & Faber 1998

      21 Berlin, Isaiah, "Alexander Herzen, From the Other Shore and The Russian People and Socialism" Oxford UP 1979

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      인용정보 인용지수 설명보기

      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2014-02-06 학술지명변경 외국어명 : The Journal of Modern British and American Drama -> Journal of Modern English Drama KCI등재
      2011-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보학술지 유지 (등재후보2차) KCI등재후보
      2002-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2001-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      더보기

      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.16 0.16 0.19
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.18 0.17 0.674 0.04
      더보기

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼