이 논문에서는 새로운 기술의 도입으로 인한 두 개의 경쟁 로직들(competing institutional logics)이 어떻게 함께 공존(co-existence) 할 수 있고, 또한 그런 공존을 유지 시킬 수 있는지에 대해 미국 애...

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https://www.riss.kr/link?id=A99629089
2012
-
325
KCI등재
학술저널
45-72(28쪽)
0
0
상세조회0
다운로드이 논문에서는 새로운 기술의 도입으로 인한 두 개의 경쟁 로직들(competing institutional logics)이 어떻게 함께 공존(co-existence) 할 수 있고, 또한 그런 공존을 유지 시킬 수 있는지에 대해 미국 애...
이 논문에서는 새로운 기술의 도입으로 인한 두 개의 경쟁 로직들(competing institutional logics)이 어떻게 함께 공존(co-existence) 할 수 있고, 또한 그런 공존을 유지 시킬 수 있는지에 대해 미국 애니메이션 산업을 1995년부터 2008년도에 걸쳐 조사하였다.
2D 로직의 특성은 미술적 질과 옛 방식으로 생산되는 애니메이션에 가치를 두는 것이다. 반면 3D(CGI) 로직의 특성으로는 엔터테인먼트적 요소에 가치를 두며, 환한 색감과 화려한 화면을 나타내는데 가치를 둔다고 할 수 있다. 이 논문에서는 외부 요소만이 두 개의 경쟁 로직들이 공존하는 것에 영향 미칠 수 있다는 기존의 논문을 벗어나, 소셜 네트워크와 같은 내부적 요인도 두 개의 경쟁 로직들이 공존하는 것에 영향을 미칠 있다고 주장한다.
본문은 소셜 네트워크 조건 중 작은 세상 현상(small world characteristics), 인터록의 수(number of interlocks), 그리고 인물들의 권력(power of actors) 등이 경쟁 로직들을 유지시키는 요소로 작용한다고 주장하는데 이를 토대로 세 가지 명제가 도출 되었다.
그 중 첫 번째 명제로 기존 로직(incumbent logic)을 따르는 사람들(actors)은 높은 군집력(high clustering)과 최단경로(short path length)로 특성지어지는 작은세상 네트워크(small world network)로 연결 되어 있을 때 경쟁 로직으로부터 기존 로직을 지킬 수 있어 두 로직들 모두가 공존하게 된다고 제시하고 있다.
두 번째 명제로 두 경쟁 로직들 사이에 인터록의 수(number of interlocks)가 많아질수록 두 경쟁 로직들이 공존하게 된다고 제시하고 있다. 마지막 명제에서는 기존 로직에 속한 인물들의 네트워크에서 권력자(powerful actors)가 기존 로직을 유지하지 위해 목표적 정체성 운동(goal identity movement)에 더 참여하게 된다고 제시 한다.
이 논문은 탐험(exploration), 활용(exploitation), 제도적 변화의 거부(resistance to institutional change), 그리고 소셜 네트워크 이론(social network perspective) 등의 이론을 접목하는데 기여하고 있다.
본 논문에서는 애니메이션 영화 산업의 한 분야에 한해서만 명제가 제시되었다. 하지만 기존의 그룹에 속한 인물들이 새로이 도전하는 그룹의 제조 과정에서 여전히 필요한 상황이라면 본문에서 제시된 명제들이 충분히 적용 가능하리라고 보여진다.
다국어 초록 (Multilingual Abstract)
This paper examines the two competing institutional logics that have coexisted in the animated film industry since the advent of 3D (CGI) animation, specifically focusing on the period from 1995 to 2008. The traditional 2D logic is characterized by an...
This paper examines the two competing institutional logics that have coexisted in the animated film industry since the advent of 3D (CGI) animation, specifically focusing on the period from 1995 to 2008. The traditional 2D logic is characterized by an “artisan style” which focuses on artistic quality and values traditional techniques (called “cel animation”) for creating animated films. The more recent 3D (Computer Generated Imagery based, or CGI) logic is most often representative of a high cost, high risk endeavor, and engages the audience with unprecedented levels of visually detailed and therefore more entertaining animated content. This paper argues that internal factors and especially network conditions have helped to maintain two institutional logics in the field of animation. Further, it argues that social network conditions such as small-world characteristics, number of interlocks, and the relative power of incumbent actors in the network affect the maintenance of competing logics. The impact of exploration, exploitation, and resistance to institutional change are also discussed.
목차 (Table of Contents)
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|---|---|---|---|
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