Echoes of history : Naxi music in modern China

목차 (Table of Contents)

• CONTENTS
• Romanization, Geography, Dynasties = xiii
• 1. Introduction = 3
• First Encounter = 3
• Research Methodology = 6
• Goals of This Book = 6
• Theoretical Issues = 7
• 2. Ethnic Minorities and the Chinese State = 10
• Qing Policies in the Southwest = 11
• Republican Policies in the Southwest = 13
• Communist Minorities Policy = 15
• Communist Policy Toward Minority Performing Arts = 19
• The "Motif of the Music-making Minority" = 23
• 3. The Naxi of Lijiang County = 28
• Who Are the Naxi? = 28
• Location and Population of Lijiang = 30
• Lijiang Country and the Chinese State = 32
• Religion Among the Lijiang Naxi = 35
• Han Cultural Influence = 37
• Dongjing Associations of Yunnan = 39
• Dongjing Associations of Lijiang County = 48
• 4. The Musical World of Republican Lijiang = 54
• Naxi Musics = 55
• Dongjing Music = 68
• Other Han-derived Musics = 91
• Other Musics in Lijiang Country = 94
• The Demographics of Participation = 94
• Music as a Barometer of Republican-era Lijiang Society = 98
• 5. Dongjing Music and Local Interaction in Republican Lijiang = 99
• Relationship Networks of the Dongjing Associations = 100
• Transmission = 104
• Regional Variation among Lijiang's Dongjing Associations = 112
• Secular Groups and Social Interaction = 114
• Summary = 116
• 6. The Wider World Comes To Lijiang : The Musical Impact = 118
• From the Moslem Uprising to the Civil War = 119
• Liberation = 121
• From the 1950s through the Cultural Revolution = 122
• From the Death of Mao to the 1990s = 133
• 7. The Dongjing Music Revival : Have Music, Will Travel = 141
• The Beginning of the Revival = 141
• The Tourist Concerts = 147
• Lijiang's Dongjing Music on the Road = 157
• Dongjing Music and Lijiang Society in the 1980s and 1990s = 162
• Changes in the Dongjing Tradition = 165
• 8.Representation and Ethnicity = 170
• Names Attached to the Dongjing Tradition = 171
• Representations from before 1949 = 174
• Representations from 1949 to the Cultural Revolution = 176
• Representations since the Cultural Revolution = 177
• Ethnicity = 188
• Summary Representation of Music in Lijiang = 191
• 9. Conclusion = 193
• From Dongjing Music to Naxi Ancient Music = 193
• Minority Music and the Socialist State = 194
• Theoretical Perspectives = 196
• Appendix A. Dongjing Scriptures of Lijiang County = 199
• Appendix B. Temple Interior for Dongjing Ceremonies in Dayan Town = 203
• Appendix C. Chinese Texts = 208
• Appendix D. Glossary of Chinese Characters = 212
• Notes = 221
• Bibliography = 237
• Discography = 261
• Videograpby = 263
• Recordings on Accompanying CD = 265
• Index = 269