Choi Chan-sik(1881∼1951), one of the major writers of 1910`s, succeeded Lee In-jik(1862∼1917) who as a pro-japanese had played an active part in politics and literature in the period of patriotic enlightment(1905∼10). Unlike Lee who was subjecti...
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https://www.riss.kr/link?id=A3056542
1999
-
800
KCI등재
학술저널
172-263(92쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Choi Chan-sik(1881∼1951), one of the major writers of 1910`s, succeeded Lee In-jik(1862∼1917) who as a pro-japanese had played an active part in politics and literature in the period of patriotic enlightment(1905∼10). Unlike Lee who was subjecti...
Choi Chan-sik(1881∼1951), one of the major writers of 1910`s, succeeded Lee In-jik(1862∼1917) who as a pro-japanese had played an active part in politics and literature in the period of patriotic enlightment(1905∼10). Unlike Lee who was subjectively pursued how to adapt himself to new colonial circumstances, Choi was objectively situated in the colonial life and was to find out modernity in the new way. In his work, through the simulation of various marriages, Choi experimented the making of the colonial modern based on the disintegration of traditional society. But modernity of his literature was limited to surface level because of the lack of tension toward Captial. So, after the brief heyday, he and his literature fell to the ground abruptly
근대계몽기 문예운동의 시각 ; 근대계몽기 국한문체 (國漢文體) 의 발전과 한문의 위상
근대계몽기 문예운동의 시각 ; 근대계몽기 출판운동과 그 역사적 의의
근대계몽기 문예운동의 시각 ; ' 문학 ' 범주의 형성 과정 - ' 지 덕 체 ' 와 ' 지 정 의 '