소수집단문학으로서의 재일한국인문학 = 현월(玄月)의『권족(眷族)』을 중심으로

다국어 초록 (Multilingual Abstract)

Hyonyeol is a second generation Korean-Japanese who was born in Osaka in 1965, and was first recognized as a writer when his book of 2000 The Shade House received the akutagawa prize. He is one of the most well-known Korean writers who live in Japan, and his main novels include Solitude of a Stage actor, A Bad Rumor, A Garrulous Dog, A Foreign Body, Kenzoku and so on. He is known as a writer that portrays the universal aspects of humans rather than the special circumstances of Koreans living in Japan, though he himself is one. Thus, Isogai defines the phase of Hyonyeol’s literature as a double standing of deconstruction and construction.
This article is researching Tome`s identity in point of view her characters in Kenzoku of Hyonyeol, the influence of her identity in Kenzoku, the trouble situations of her descendant, and pure blood`s problem.
In this work, Hyonyeol tells a message that theres no point in a difference between the majority of pure blood and the minority of cross blood. It is represented as the person succeed to the whole of Kenzoku and second son lineage. This looks like reducing Japanese society and korean society in Japan in small scale. In short, Hyonyeol says a message that theres no point in a criticism, whether korean Residents in Japan is Japanese or Korean through writer‘s viewpoint about pure blood`s problem. This means doing discussion whether he is Korean or Japanese is meanless because Hyonyeol has already been Japanese. During living in Japanese society, his style of existence is japanized between Japan society and Japanese. And even if there is a style of originality named korean blood, it has unchanged the fact. As you know, it is because pure blood`s problem in Kenzoku is a fiction.

참고문헌 (Reference)

1 김환기, "현월(玄月) 문학의 실존적 글쓰기" 한국일본학회 (61) : 439-456, 2004

2 황봉모, "현월(玄月) 문학 속의 재일 제주인" 외국문학연구소 (42) : 209-224, 2011

3 "한국일보"

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6 베네딕트 엔더슨, "상상의 공동체" 나남 2004

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9 玄月, "眷族" 講談社 2007

10 玄月, "異物" 講談社 2005

11 玄月, "悪い噂" 文藝春秋 2000

12 立花凉, "ポスト構造主義物語論ー玄月『眷族』をめぐる思考のエチカ" 新幹社 2009

13 玄月, "おしゃべりな犬" 文藝春秋 2003

14 磯貝治良, "〈在日〉文学論" 新幹社 2004

15 金城一紀, "GO" 講談社 2000