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    패션 커뮤니케이션과 전시 공간 - 메종 마틴 마르지엘라의 패션 전시 디자인을 중심으로 - = Fashion Communication and Exhibition Project- Focused on Fashion Exhibition Design by Maison Martin Margiela -

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    https://www.riss.kr/link?id=A82769872

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The purpose of this study is to investigate the means by which designers communicate their philosophies and messages through fashion exhibitions, which are one of the communication methods that use visual images, by focusing on the aesthetics of fashion exhibition design. For this study, previous studies related to design exhibitions were analyzed, in addition to the related theoretical background, by examining the existing literature and conducting an illustrative study on fashion exhibitions. Our illustrative study focused on the aesthetic meanings of exhibitions held by the fashion brand Maison Martin Margiela over the past 10 years. According to our analyses, the fashion philosophy of fashion designer Martin Margiela`s was reflected by Maison Martin Margiela in the exhibition design. After studying the features of Maison Martin Margiela`s exhibition design, the inner values of deconstructivism and mysticism and appearance techniques of trompe-l`oeil, white spirit and assemblage were observed. This study aims to supply basic data for an active research on consilience and communication conducted in fashion communication field through a fashion exhibition designed to be seen as a work, an objet of the exhibition. In-depth studies on the cultural and aesthetical aspects of fashion exhibitions should be carried out, not only based on the sense of sight but also the senses of touch and hearing. Next, theories should be established on fashion scenography, to consider the use of the space design of fashion shows, presentations and advertising and movies to communicate fashion.
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    The purpose of this study is to investigate the means by which designers communicate their philosophies and messages through fashion exhibitions, which are one of the communication methods that use visual images, by focusing on the aesthetics of fashi...

    The purpose of this study is to investigate the means by which designers communicate their philosophies and messages through fashion exhibitions, which are one of the communication methods that use visual images, by focusing on the aesthetics of fashion exhibition design. For this study, previous studies related to design exhibitions were analyzed, in addition to the related theoretical background, by examining the existing literature and conducting an illustrative study on fashion exhibitions. Our illustrative study focused on the aesthetic meanings of exhibitions held by the fashion brand Maison Martin Margiela over the past 10 years. According to our analyses, the fashion philosophy of fashion designer Martin Margiela`s was reflected by Maison Martin Margiela in the exhibition design. After studying the features of Maison Martin Margiela`s exhibition design, the inner values of deconstructivism and mysticism and appearance techniques of trompe-l`oeil, white spirit and assemblage were observed. This study aims to supply basic data for an active research on consilience and communication conducted in fashion communication field through a fashion exhibition designed to be seen as a work, an objet of the exhibition. In-depth studies on the cultural and aesthetical aspects of fashion exhibitions should be carried out, not only based on the sense of sight but also the senses of touch and hearing. Next, theories should be established on fashion scenography, to consider the use of the space design of fashion shows, presentations and advertising and movies to communicate fashion.

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    참고문헌 (Reference)

    1 배종길, "프로모션 매체로서의 패션 관련 전시회에 관한 연구" 경일대학교 산업대학원 2003

    2 이란표, "전시부스 디자인을 위한 커뮤니케이션 이론 및 모델 기초연구" 한국청소년시설환경학회 6 (6): 75-84, 2008

    3 김인권, "전시 디자인" 태학원 2004

    4 장은경, "디지털 스토리텔링 기반의 전시디자인 기법 연구" 한국디자인트렌드학회 (27) : 179-187, 2010

    5 박유선, "디자인 전시에 있어서 체험성에 관한 연구" 한국기초조형학회 9 (9): 233-246, 2008

    6 프레드릭 J.키슬러, "공간연출디자인의 원류" 미술문화 2000

    7 안 로렌스, 리 H, "공간 디자인의 모든 것: 공간의 커뮤니케이션" 고려닷컴 2009

    8 Staniszewski,Mary Anne, "The Power of Display" 디자인로커스 2007

    9 Dean, David, "Museum Exhibition: Theory and Practice" Routledge 1994

    10 Wenz-Gahler,Ingrid, "Messestand-design" Koch 1999

    1 배종길, "프로모션 매체로서의 패션 관련 전시회에 관한 연구" 경일대학교 산업대학원 2003

    2 이란표, "전시부스 디자인을 위한 커뮤니케이션 이론 및 모델 기초연구" 한국청소년시설환경학회 6 (6): 75-84, 2008

    3 김인권, "전시 디자인" 태학원 2004

    4 장은경, "디지털 스토리텔링 기반의 전시디자인 기법 연구" 한국디자인트렌드학회 (27) : 179-187, 2010

    5 박유선, "디자인 전시에 있어서 체험성에 관한 연구" 한국기초조형학회 9 (9): 233-246, 2008

    6 프레드릭 J.키슬러, "공간연출디자인의 원류" 미술문화 2000

    7 안 로렌스, 리 H, "공간 디자인의 모든 것: 공간의 커뮤니케이션" 고려닷컴 2009

    8 Staniszewski,Mary Anne, "The Power of Display" 디자인로커스 2007

    9 Dean, David, "Museum Exhibition: Theory and Practice" Routledge 1994

    10 Wenz-Gahler,Ingrid, "Messestand-design" Koch 1999

    11 Schittich,Christian, "In Detail: Work Environment:Design in Physical Space, Mobility" Birkhauser 2011

    12 Rattenbury,Arnold, "Exhibition Design:Theory and Practice" Littlehampton Book Services Ltd 1971

    13 Dernie, David, "Exhibition Design" Laurence King Publishing 2007

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2018-12-01 등재 등재후보로 하락 (계속평가) KCI등재후보
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2004-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2003-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2001-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.63 0.63 0.58
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.55 0.58 0.71 0.12
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