1950년대 홍콩 영화를 통해 본 5·4 전통의 계승과 변화의 홍콩문화 읽기 = The Culture of Hong Kong Represented in the Hong Kong Films in the 1950s with Succession and Transformation of the 5·4(the Fourth of May) Movement

다국어 초록 (Multilingual Abstract)

Since 1960’s, the film market of Hong Kong imported funds and human resources from Asia and aimed at Asian film market. Hong Kong originally succeeded the tradition of 1949’s cultural revolution and made it possible to reform and create the whole new changes. This situation was to contribute to effective interactions in the boundary of Asia. But at first there were much more movies to concentrate on conventional ideal, one of which was ‘People exist for me, and I exist for them.’ Hong Kong society focused on its tradition and education as well. If it is the point that we emphasize Hong Kong film, it becomes much more important to mention ‘dramatization.’ And this is the key point to research the changes and the way of change to dramatize the novels into film, then, at the same time, we can understand and figure out the far more complex and tangled history of cultural identity. How this could be possible to make Hong Kong to change other cultures into his own culture and helped to interchange each other their own cultural differences, and how it tried to analyze the differences and sameness? Through this research of Hong Kong film, we will understand Hong Kong culture and its film history. The film market has kept challenging and trying to make big plant and production centers to develop its film. It is no more than simply the action movies and entertainment of public but is a genre of art. Hopefully, the film of Hong Kong will be emerged in Asian film market as well as in the global market.

목차 (Table of Contents)

• 1. 5·4운동 시기 명저들의 재인식-인물 중심의 심리를 인식하고 강조하며 계급비판을 줄이다 2. 5·4운동에서 수용한 외국문학의 인문정신을 계승하고 여성의 지위를 높이다 3. 1950년대 영화가 애정소설의 세속적 관심과 상업화 경향을 닮아가다 참고문헌 Abstract