조선시대『영건의궤』「상량의」복원 시론 = Restoration Trials of the Sangryang-Ceremony in the Yeonggeon Uigwe

국문 초록 (Abstract)

본 연구는 조선시대 『영건의궤』 상량의(上樑儀)의 복원 시도를 하였다. 17권에 수록된 18개의 상량 의식은 대상과 장소의 차이는 있지만, 17세기부터 20세기에 이르는260여년동안 동일한 내용을 계승했던 의례이다. 圖式이 없었던 상량의(上樑儀)에 대해 그 모습을 고찰하기 위해 해당 기사 확인,『進宴儀軌』에서 班次圖, 進宴圖를 사용함으로써「상량의」에서도 볼 수 있는 北壁南向, 階上, 階下, 異位重行 등 확인하고『国朝五禮序禮』巻之一에서, 의례 관련 관리들의 위치를 확인하고 상량식을 시각적으로 알기 위해 생긴 과제를 정리하였다.

다국어 초록 (Multilingual Abstract)

This study attempts to reconstruct the appearance of the sangryang-ceremony(上樑儀) in the official building works conducted in the JoseonDynasty.18 sangryang-ceremonies described in the 17 volumes of the " Yonggeon Uigwe " from the 17th to 20th centuries have inherited thesame content as a ceremony for about 260 years, although there are differences in the subject and location. As a result of narrative analysis,the 18 ceremonies can be categorized into five types, and we have attempted to reconstruct them based on these types. The Joseon Dynastycreated " Uigwe " for the five rites -religious(吉禮), auspicious(嘉禮), diplomatic(賓禮), military(軍禮),funeral(凶禮)ones and passed themdown to future generations so that they could be reproduced.However, architectural rites did not belong to any of the five, and only thesimple steps of the ritual were passed on to the next. On the other hand, in the " Sinyeon Uigwe (進宴儀軌)," which recorded banquets atpalace forfeitures, in addition to more detailed procedures, a diagram showing the banquet scene was recorded, and in the " GukJoOreSore(國朝五禮序禮)," a diagram of the layout of the rituals held at the mausoleum can be confirmed, and from both of these it was found thatthere are expressions common to the sangryang-ceremony. This study presented a new aspect of the sangryang-ceremony.