Jazz written by Toni Morrison and Invisible Man by Ralph Ellison are examples of Afro-American literature which address pain and anger by means of a narrative construction based on jazz music. Both novels depict Afro-Americans who have bee...
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https://www.riss.kr/link?id=A76459230
2007
-
840
KCI등재
학술저널
1-16(16쪽)
0
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Jazz written by Toni Morrison and Invisible Man by Ralph Ellison are examples of Afro-American literature which address pain and anger by means of a narrative construction based on jazz music. Both novels depict Afro-Americans who have bee...
Jazz written by Toni Morrison and Invisible Man by Ralph Ellison are examples of Afro-American literature which address pain and anger by means of a narrative construction based on jazz music. Both novels depict Afro-Americans who have been hindered by a legacy of cultural separation, personal dispossession, and emotional disturbance since slavery. Surprisingly, both works employ the images of jazz, a musical form which carries a transcendental meaning beyond literal expression as both authors investigate the lives of Afro-Americans in order to clarify their undocumented history. Although it is difficult to establish a relationship between music and prose fiction, Morrison as well as Ellison successfully demonstrate the unique function of black music not only as an explication of black aesthetics and aspirations of Afro-Americans, but also as a reflection of the genuine social, economic, and political realities of Afro-American history.<BR> This paper will demonstrate that the presence of narratives shown in Jazz and Invisible Man are in a pattern similar to jazz music. That is, the linear progressive chronological development of past incidents are not the case in analyzing both of their literary works. Further, any specific structures or patterns in discussing the present without considering the past become insignificant since the pattern of the incidents shown in Jazz as well as Invisible Man progresses in a circular motion without any specific sequences. Again, through the musical mode of the narrative, the personal despair and the historical truth that they rigorously search for are clearly exposed as Morrison and Ellison precisely explore the collective memory of Afro-Americans throughout their works.
참고문헌 (Reference)
1 Baker, "The University of Chicago P" 1984
2 Gates, Henry Louis Jr., "The Norton Anthology of African American Literature" W. W. Norton & Company: New York 1997
3 Rose, "The Negro in America" 1962
4 "The Accommodation of Afro-American Folk Music as Depicted in Morrison's Jazz and Ralph Ellison's Invisible ManSook-he Kim"
5 Michell, Angelyn, "Sth, I know that woman: History, Gender, and the South in Toni Morrison's Jazz" 31 : 49-61, 1998
6 Ellison, Mary, "Lyrical Protest: Black Music's Struggle Against Discrimination" New York: Praeger P 1989
7 Callahan, John F, "Frequencies of Eloquence The Performance and Composition of Invisible Man The Critical Response to Ralph Ellison" Westport: Greenwood P 106-113, 2000
8 Butler, Robert J, "Dante's Inferno and Ellison' Invisible Man: A Study in Literary Continuity." The Critical Response to Ralph Ellison" Westport: Greenwood P 94-105, 2000
9 Paquet-Deyris, "Anne-Marie.Toni Morrison's Jazz and the City" 35 : 219-232, 2001
10 McKay, "An Interview with Toni Morrison" 1993
1 Baker, "The University of Chicago P" 1984
2 Gates, Henry Louis Jr., "The Norton Anthology of African American Literature" W. W. Norton & Company: New York 1997
3 Rose, "The Negro in America" 1962
4 "The Accommodation of Afro-American Folk Music as Depicted in Morrison's Jazz and Ralph Ellison's Invisible ManSook-he Kim"
5 Michell, Angelyn, "Sth, I know that woman: History, Gender, and the South in Toni Morrison's Jazz" 31 : 49-61, 1998
6 Ellison, Mary, "Lyrical Protest: Black Music's Struggle Against Discrimination" New York: Praeger P 1989
7 Callahan, John F, "Frequencies of Eloquence The Performance and Composition of Invisible Man The Critical Response to Ralph Ellison" Westport: Greenwood P 106-113, 2000
8 Butler, Robert J, "Dante's Inferno and Ellison' Invisible Man: A Study in Literary Continuity." The Critical Response to Ralph Ellison" Westport: Greenwood P 94-105, 2000
9 Paquet-Deyris, "Anne-Marie.Toni Morrison's Jazz and the City" 35 : 219-232, 2001
10 McKay, "An Interview with Toni Morrison" 1993
11 Grewal, Gurleen, "A Hearing of History: Jazz. Circles of Sorrow, Lines of Struggle" Baton Rouge: Louisiana State UP 119-136, 1998
12 Ellison, "A Division of Random House" 1984
The Korean Counterparts of the English Ditransitive Verb Teach
디즈니 애니메이션에서 나타난 미국의 정체성 연구 - 언어 문제와 상징성을 중심으로
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2017-01-31 | 학회명변경 | 영문명 : British And American Language And Literature Association Of Korea -> The British and American Language and Literature Association of Korea | |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
2013-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2008-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2005-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2004-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2002-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.21 | 0.21 | 0.15 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.15 | 0.14 | 0.414 | 0.14 |
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