RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI우수등재

      태평양전쟁직후 한일(韓日) 지식인의 ‘식민지 조선’에 대한 기억과 은폐된 욕망 = 채만식의 「민족의 죄인」과 다나카 히데미쓰의 「취한 배 醉いどれ船」를 중심으로

      한글로보기

      https://www.riss.kr/link?id=A82514651

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract)

      In this writing, this researcher tried to look at Korean-Japanese Intellectual's Memory & Concealed Desires for Colony Chosun right after the Pacific War targeting Che, Man-sik's 〈A Guilty Person of Our People〉 and Danaka Hidemis's 〈The Drunken Vessel〉, Both works were published in 1948 right after the War was ended, which shows Japanese and Korean intellectuals' introspection and period consciousness of Japan's colonial rule.
      Che, Man-sik repented of his cooperation with Japan and reflected on his consciousness as a father and husband. Further, he is putting the blame upon the empire's invasion and Choseon Dynasty's failure to comply with it. On the other hand, Danaka Hidemis. perceiving the colony Choseon as a space for an adventure and romance, borrows decadence as a strategy of keeping his distance from militarism in his writing.
      The memories of the colony Choseon enshrined by Choseon intellectuals and colony-owning country's intellectual just after the Pacific War have some points in common as follows.
      First, it's a self-contained mode. They are selectively arranging the context, in which they couldn't but abandon their responsibility, and the 'element' that can shift responsibility intensely on the objects and 'incidents' which they intend to memorize. The sense of guilt shown in the writing 〈A Guilty Person of Our People〉 by Che, Man-sik throws an exoneration will by don't keeping the family safe in 〈wife and children〉, and displaces an exoneration will to another one in a series of a granny having a good memory.
      Tanaka Hidemis, as a writer belonging to post-war Muraepa, thought of Choseon ,which was captured in his eyes, as a space for love and adventures. In his writing 〈The Drunken Vessel〉, he didn't reflect on intellectuals' lethargy but rationalized decadence by highlighting the ambition of irresistible militarists.
      Second. in the writing , they were aiming fortheir curing process. All these aspects. including the fact that the intellectuals in colony Choseon repented of themselves. and the colonial ruler's intellectuals stated their lethargy, are showing their reflection on the failure to do their responsibility for the nation and ethics of the period, and their curing process in the turmoil of World War Two.
      번역하기

      In this writing, this researcher tried to look at Korean-Japanese Intellectual's Memory & Concealed Desires for Colony Chosun right after the Pacific War targeting Che, Man-sik's 〈A Guilty Person of Our People〉 and Danaka Hidemis's 〈The Drunken ...

      In this writing, this researcher tried to look at Korean-Japanese Intellectual's Memory & Concealed Desires for Colony Chosun right after the Pacific War targeting Che, Man-sik's 〈A Guilty Person of Our People〉 and Danaka Hidemis's 〈The Drunken Vessel〉, Both works were published in 1948 right after the War was ended, which shows Japanese and Korean intellectuals' introspection and period consciousness of Japan's colonial rule.
      Che, Man-sik repented of his cooperation with Japan and reflected on his consciousness as a father and husband. Further, he is putting the blame upon the empire's invasion and Choseon Dynasty's failure to comply with it. On the other hand, Danaka Hidemis. perceiving the colony Choseon as a space for an adventure and romance, borrows decadence as a strategy of keeping his distance from militarism in his writing.
      The memories of the colony Choseon enshrined by Choseon intellectuals and colony-owning country's intellectual just after the Pacific War have some points in common as follows.
      First, it's a self-contained mode. They are selectively arranging the context, in which they couldn't but abandon their responsibility, and the 'element' that can shift responsibility intensely on the objects and 'incidents' which they intend to memorize. The sense of guilt shown in the writing 〈A Guilty Person of Our People〉 by Che, Man-sik throws an exoneration will by don't keeping the family safe in 〈wife and children〉, and displaces an exoneration will to another one in a series of a granny having a good memory.
      Tanaka Hidemis, as a writer belonging to post-war Muraepa, thought of Choseon ,which was captured in his eyes, as a space for love and adventures. In his writing 〈The Drunken Vessel〉, he didn't reflect on intellectuals' lethargy but rationalized decadence by highlighting the ambition of irresistible militarists.
      Second. in the writing , they were aiming fortheir curing process. All these aspects. including the fact that the intellectuals in colony Choseon repented of themselves. and the colonial ruler's intellectuals stated their lethargy, are showing their reflection on the failure to do their responsibility for the nation and ethics of the period, and their curing process in the turmoil of World War Two.

      더보기

      참고문헌 (Reference)

      1 정창석, "피해자의 얼굴, 가해자의 얼굴" 48 : 203-220, 2001

      2 캘빈.S. 홀, "프로이드 심리학입문" 두로 1997

      3 다나카 히데미쓰, "취한 배 in: 취한 배" 소화 1999

      4 이주형, "채만식의 생애와 작품세계" 창작과비평사 10 : 618-631, 1989

      5 하야시 히로시, "일본제국주의, 식민지 도시를 건설하다" 모티브북 2005

      6 호쇼 마사오, "일본 현대문학사 상" 문학과지성사 1988

      7 김태준, "일본 문학속의 한국·한국인상 in: 일본문학에 나타난 한국 및 한국인상" 동국대학교출판부 5-21, 2004

      8 박지향, "일그러진 근대" 푸른역사 2003

      9 김윤식, "신체제론 in: 한국근대문예비평사연구" 일지사 387-438, 1990

      10 김윤식, "식민지문학의 상흔과 그 극복 in: 한일문학의 관련양상" 일지사 114-145, 1993

      1 정창석, "피해자의 얼굴, 가해자의 얼굴" 48 : 203-220, 2001

      2 캘빈.S. 홀, "프로이드 심리학입문" 두로 1997

      3 다나카 히데미쓰, "취한 배 in: 취한 배" 소화 1999

      4 이주형, "채만식의 생애와 작품세계" 창작과비평사 10 : 618-631, 1989

      5 하야시 히로시, "일본제국주의, 식민지 도시를 건설하다" 모티브북 2005

      6 호쇼 마사오, "일본 현대문학사 상" 문학과지성사 1988

      7 김태준, "일본 문학속의 한국·한국인상 in: 일본문학에 나타난 한국 및 한국인상" 동국대학교출판부 5-21, 2004

      8 박지향, "일그러진 근대" 푸른역사 2003

      9 김윤식, "신체제론 in: 한국근대문예비평사연구" 일지사 387-438, 1990

      10 김윤식, "식민지문학의 상흔과 그 극복 in: 한일문학의 관련양상" 일지사 114-145, 1993

      11 채만식, "민족의 죄인" 창작과비평 8 : 1989

      12 변학수, "문학적 기억의 탄" 열린책들 2008

      13 김형섭, "다나카 히데미쓰(田中英光)의 공산당활동 배경소설 고찰" 대한일어일문학회 (47) : 279-295, 2010

      14 이선옥, "다나카 히데미쓰(田中 英光) 序? -작품에 나타난 韓?像을 중심으로-" 한국일어일문학회 45 : 225-240, 2003

      15 가라타니 고진, "네이션과 미학" 도서출판 2009

      16 吉田精一, "現代日本文學史" 정음사 1984

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      인용정보 인용지수 설명보기

      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2020 평가예정 계속평가 신청대상 (등재유지)
      2015-01-01 평가 우수등재학술지 선정 (계속평가)
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      1998-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      더보기

      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.79 0.79 0.75
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.72 0.72 1.376 0.3
      더보기

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼