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    희생양그리고 민족적 알레고리로서 여성이미지 분석-이두용 감독의 <뽕>을 중심으로- = An Analysis of Woman Image as Scapegoat & National Allegory-Focusing on The Filmmaker Lee Doo-young's <Mulberry>-

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    https://www.riss.kr/link?id=A104144647

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    1980's in korea began with the neo-military junta(regime) which came to power through supressing the Kwangju struggle for demonstration. The film industry in 1980's was influenced by the national policy of the neo-military junta. While it did a close inspection on the political issues, it permitted a indecent sexual expression . So many film producing companies in this decade evaded to comment on the socio-political issues & concentrated on showing the actress' naked body to attract the audiences. In a sense it was enevitable to keep on film business under the military regime.
    It is erotic melo drama and erotic costume drama that was newly born at that time. As we all know, these genres were regarded as a flight from reality and vulgar texts and were not considered as objects of serious studies.
    But these texts not only have sociological values as reflection on 1980's but also have aesthetic values under the varren film making circumstances. I think the Korean film studies should stop overlooking the significance of these genres and begin serious research and specific analysis of the indivisual text of these genres.
    The reason why I focus on <Mulberry> among many other films, it it because it inspires popular desire of the day in the connotation level. Of course I know that this movie is not free from condemnation that it commercialized women's sexuality. But it is just one aspect of the movie. It still has enough value to be analyzed seriously.
    This study is based on the concept of Frederic Jameson's national allegory and Rene Girard's Scapegoat.
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    1980's in korea began with the neo-military junta(regime) which came to power through supressing the Kwangju struggle for demonstration. The film industry in 1980's was influenced by the national policy of the neo-military junta. While it did a close ...

    1980's in korea began with the neo-military junta(regime) which came to power through supressing the Kwangju struggle for demonstration. The film industry in 1980's was influenced by the national policy of the neo-military junta. While it did a close inspection on the political issues, it permitted a indecent sexual expression . So many film producing companies in this decade evaded to comment on the socio-political issues & concentrated on showing the actress' naked body to attract the audiences. In a sense it was enevitable to keep on film business under the military regime.
    It is erotic melo drama and erotic costume drama that was newly born at that time. As we all know, these genres were regarded as a flight from reality and vulgar texts and were not considered as objects of serious studies.
    But these texts not only have sociological values as reflection on 1980's but also have aesthetic values under the varren film making circumstances. I think the Korean film studies should stop overlooking the significance of these genres and begin serious research and specific analysis of the indivisual text of these genres.
    The reason why I focus on <Mulberry> among many other films, it it because it inspires popular desire of the day in the connotation level. Of course I know that this movie is not free from condemnation that it commercialized women's sexuality. But it is just one aspect of the movie. It still has enough value to be analyzed seriously.
    This study is based on the concept of Frederic Jameson's national allegory and Rene Girard's Scapegoat.

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    참고문헌 (Reference)

    1 최일수, "한국영화배우사(2)" (7) : 1995

    2 최일수, "한국영화배우사(2)" (7) : 1995

    3 주진숙, "여성영화인사전" 소도 2001

    4 서울영화집단, "새로운 영화를 위하여" 학민사 2000

    5 김욱동, "대화적 상상력-바흐친의 문학이론" 문학과 지성사 1988

    6 곽영빈, "‘너에게 나를 보낸다’ 혹은 가위에 눌린 욕망:장선우의 죄의식에 대한 소견서" 2001

    7 영화진흥공사, "80년대 한국영화연감 시리즈" 영화진흥공사 1990

    1 최일수, "한국영화배우사(2)" (7) : 1995

    2 최일수, "한국영화배우사(2)" (7) : 1995

    3 주진숙, "여성영화인사전" 소도 2001

    4 서울영화집단, "새로운 영화를 위하여" 학민사 2000

    5 김욱동, "대화적 상상력-바흐친의 문학이론" 문학과 지성사 1988

    6 곽영빈, "‘너에게 나를 보낸다’ 혹은 가위에 눌린 욕망:장선우의 죄의식에 대한 소견서" 2001

    7 영화진흥공사, "80년대 한국영화연감 시리즈" 영화진흥공사 1990

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-09-22 학회명변경 영문명 : Film Studies Association Of Korea (Fisak) -> Korean Cinema Association (KCA) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2006-04-09 학술지등록 한글명 : 영화연구
    외국어명 : Film Studies
    KCI등재후보
    2006-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.58 0.58 0.59
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.58 0.55 1.055 0.29
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