<六臣傳>의 인물 형상화에 나타난 작가의식

다국어 초록 (Multilingual Abstract)

This paper examines the writer consciousness that appeared in the representation of characters in the <Stories of Six Ministers>. Major backgrounds of this work are the seizure of the throne by king Sejo, and the failure of the plan to restore king Danjong in the early period of Joseon Dynasty. This work is also a record of the tragic death of the six martyred ministers after their attempt to oust king Sejong, who dethroned his nephew and rose to the throne, was uncovered. This paper analyzed how the characters appearing in the <Stories of Six Ministers> were represented.
First, the background of creation of the <Stories of Six Ministers> and the evaluation of the work by later generations were examined. The writer Nam Hyo-on created the <Stories of Six Ministers> with the intention to correct history for precaution for later generations. Meanwhile, the 『Annals of King Seonjo』and the『Annals of King Jeongjo』were examined for the evaluation of the <Stories of Six Ministers> by later generations and according to the results, the evaluations were clearly divided into positive and negative evaluations.
Second, the narrative structure of the <Stories of Six Ministers> and the representation of characters were examined. Nam Hyo-on minutely designed the work so that the stories would be integrated into the theme fidelity while describing the individual behaviors and inclinations of the six royal subjects bearing the weights of the six different royal subjects in mind. There are three characteristics that appeared in the character representation. The first one is the presentation of the personalities of the six ministers through their words and deeds. The next one is the conflicts between the characters that appeared and the contrast between good and evil. The final one is the parallel structure and the dramatic reminding method.
Third, the characteristics and meaning of writer consciousness that appeared in the <Stories of Six Ministers> were examined. From a political point of view, the writer firmly declared a political view as a Confucian view of ethics. From the historical point of view, the writer wanted to awaken a consciousness about the history of tragedy that should not be repeated. From a literary point of view, the writer raised the degree of completion of literature and enabled remembering the six martyred ministers.

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