구스 반 산트 감독의 <레퀴엠 3부작-게리, 엘리펀트, 라스트 데이즈>에 관한 연구 = The Study of Gus Van Sant`s <Requiem Trilogy-Gerry, Elephant, Last Days>

다국어 초록 (Multilingual Abstract)

With films like <Mala Noche>, <My Private Idaho>, <Good Will Hunting>, and <Finding Forrester>, writer & director Gus Van Sant has explored what it is to be young and searching for an identity. A director who is capable of crafting both deeply unconventional independent films and mainstream crowd-pleasers, Gus Van Sant has managed to carve an enviable niche for himself in Hollywood. In <Requiem Trilogy-Gerry, Elephant, Last Days>, he tries to explore new formal style and deep thematic matters for his unique cinematic world using low budget production system and experimental elements such as anti-jump cut and creative sound. Building its own brand of absurd American realism, <Requiem Trilogy> shares with his other films a restless creativity that constantly expresses itself in new and surprising ways.

참고문헌 (Reference)

1 이다혜, "커트 코베인과 관객사이의 비밀스런 소통, <라스트 데이즈>" 씨네 21

2 김지연, "전주 온 헝가리 거장 벨라 타르 감독"

3 Filmmaker, "The magazine of Independent Film 2002,winter" Sands of Time 2002

4 Hattenstone,S, "The Guardian. Interview with Gus Van Sant" Academe Books 2004

5 Stam,R, "Reflexivity in film & cinema" columbia University Press 1992

6 Docherty, T, "Postmodernism" Columbia University Press 1993

7 Rosen,P, "Narrative, apparetus, ideology" Columbia University Press 1986

8 The Guardian, "Interview with Gus Van Sant in All the world's an art school" 2004

9 Mast, G., "Film theory and criticism" Oxford University Press 1992

10 Bordwell, D., "Film Art" University of Wisconsin Press 1971