17세기 조선의 한문학에 나타난 음악과 무용 풍속 -별곡,(別曲),호무(胡舞),항장무(項莊舞)를 중심으로- = Customs of music and dance appearing in Korean Literature written in chinese characters of 17th Joson Dynasty -Byeolgok(別曲), Homu(胡舞), Hangjangmu(項莊舞)-

다국어 초록 (Multilingual Abstract)

This paper is the report about the customs of music and dance appearing in Korean Literature written in chinese characters of 17th Joson Dynasty. First, I verified the following things. 1) The songs as like 「Shamiingok(思美人曲)」and 「GwanongByeolgok(關東別曲)」written by Soung Gang Jung Cheol(松江 鄭澈) were popular in all parts of the country. 2) Gisaeng Choohyaung(秋香), Gisaeng Kyeayang(桂香) and Gisaeng Ocka(玉娥) sang these songs very well. 3) The Choson gentry(士大夫) as well as monks, princes and secondary wives enjoyed and sang these songs. Secondly, Homu(胡舞) was propagated among the Choson gentry and people in 15 century. This trend was continuing until the end of 17th or the first of 18th. The performance of Homu was prohibited by the command of king in the end of 18century. Lately, It was reported that Hwangjangmu(項莊舞) started to be performed in 17th. But in 16th, the ministers to China saw the performance of Hangjangmu in China. And in 1731, an official Gisaoung(官妓) danced the dancing called Houngmunmu(鴻門舞) in Kanseong, Kwangwon Do. Therefore this study shows Hangjangmu was performed in the end of 17 century. The above mentioned things are reported first in 17th customs of music and dance, so this paper has a important meaning in Art and Custom History.

참고문헌 (Reference)

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