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https://www.riss.kr/link?id=A110240333
김태희 (이화여자대학교)
2026
Korean
KCI등재
학술저널
29-45(17쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
While popular culture leads the Korean Wave, Korean dance has also expanded internationally through collaborations reflecting contemporary cultural diversity. As cultural exchange and the pursuit of both universality and diversity grow, an intercultur...
While popular culture leads the Korean Wave, Korean dance has also expanded internationally through collaborations reflecting contemporary cultural diversity. As cultural exchange and the pursuit of both universality and diversity grow, an intercultural perspective has become increasingly important in the field of dance. This study examines the relationship between dance and interculturality by analyzing the works “Vortex” and “Shiganè Naï,” presented as part of the National Dance Company of Korea’s International Choreographer Project. It first reviews the concept and theories of interculturality and then examines the activities of the National Dance Company of Korea in relation to this project. The analysis reveals three main stages—dialogue, equal interaction, and the creation of new cultures—which demonstrate how intercultural communication unfolds within the creative process. The findings highlight the significance of collaborative creation, suggesting that intercultural perspectives in Korean dance can generate new cultural implications and expand its potential as a universal form of expression.
실천을 기반으로 한 장애무용에서의 주체화 탐구 연구 - 미셸 푸코의 주체화 이론을 중심으로 -
한국무용의 철학적 가치, 예술적 몰입, 정서적 웰빙 간의 구조적 관계
예술고등학교 한국무용 입시 준비의 지역 간 격차에 관한 탐색적 사례 연구
광주시립발레단 무용수들의 노동, 보상 체계 분석과 제언