RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재

      일본 국립역사민속박물관 소장 16세기 라꾸주우라꾸가이(洛中洛外) 병풍 갑본(甲本) 풍속화의 여자복식 연구 = A Study on Women’s Costume in 16th Century Genre Paintings Drawnon Rakuchu-rakugai Folding Screens in the Collection of the National Museum of Japanese History

      한글로보기

      https://www.riss.kr/link?id=A100261191

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Subjects of the study include costumes worn by 291 out of the 1426 women appearing in genre paintings drawn on Rakuchu-rakugai folding screens dating from the 16<SUP>th</SUP> century in the collection of the National Museum of Japanese History. The study analyzed the types of women’s costume appearing in genre paintings drawn on folding screens, compared costume according to the status of the wearer, and examined the characteristics of headgear, hairstyles and patterns and textile colors in order to discern aspects of the socio-cultural background of the time and the transition in the haracteristics of women’s costume in the 16<SUP>th</SUP> century. The findings of the study are as follows. Genre paintings drawn on Rakuchu-rakugai folding screens showed that 262 out of 291 women wore Gosode, the sleeves of which were narrow compared to Gosode in the 14<SUP>th</SUP> and 15<SUP>th</SUP> centuries. Meanwhile, the total length of Gosode varied depending on the status and occupation of the wearer. In terms of headgear, the highest number of women (102) wore a headgear called Gatsgi, and this was followed in popularity by an Amigasa and a bandana. Looking at hairstyles, it was found that 88 women in the upper class had long hair, while women who were commoners, merchants or laborers mostly had simple hair styles, such as short hair, a beehive or a ponytail. Colors of textile include white, red, green, brown and black, and they were applied to Gosode, Gatsgi, Amigasa, Ijimegasa and bandana. Patterns such as plain patterns, water drop patterns and lattice patterns were used as indicators of social status, and it turned out that lattice patterns were used in the 16<SUP>th</SUP> century. The appearance of women’s costume in genre paintings provides a valuable resource to help researchers examine costume in connection to social background and characteristics in the 16<SUP>th</SUP> century, and to better understand difference sincostume related to social status.
      번역하기

      Subjects of the study include costumes worn by 291 out of the 1426 women appearing in genre paintings drawn on Rakuchu-rakugai folding screens dating from the 16<SUP>th</SUP> century in the collection of the National Museum of Japanese His...

      Subjects of the study include costumes worn by 291 out of the 1426 women appearing in genre paintings drawn on Rakuchu-rakugai folding screens dating from the 16<SUP>th</SUP> century in the collection of the National Museum of Japanese History. The study analyzed the types of women’s costume appearing in genre paintings drawn on folding screens, compared costume according to the status of the wearer, and examined the characteristics of headgear, hairstyles and patterns and textile colors in order to discern aspects of the socio-cultural background of the time and the transition in the haracteristics of women’s costume in the 16<SUP>th</SUP> century. The findings of the study are as follows. Genre paintings drawn on Rakuchu-rakugai folding screens showed that 262 out of 291 women wore Gosode, the sleeves of which were narrow compared to Gosode in the 14<SUP>th</SUP> and 15<SUP>th</SUP> centuries. Meanwhile, the total length of Gosode varied depending on the status and occupation of the wearer. In terms of headgear, the highest number of women (102) wore a headgear called Gatsgi, and this was followed in popularity by an Amigasa and a bandana. Looking at hairstyles, it was found that 88 women in the upper class had long hair, while women who were commoners, merchants or laborers mostly had simple hair styles, such as short hair, a beehive or a ponytail. Colors of textile include white, red, green, brown and black, and they were applied to Gosode, Gatsgi, Amigasa, Ijimegasa and bandana. Patterns such as plain patterns, water drop patterns and lattice patterns were used as indicators of social status, and it turned out that lattice patterns were used in the 16<SUP>th</SUP> century. The appearance of women’s costume in genre paintings provides a valuable resource to help researchers examine costume in connection to social background and characteristics in the 16<SUP>th</SUP> century, and to better understand difference sincostume related to social status.

      더보기

      목차 (Table of Contents)

      • 〈Abstract〉
      • Ⅰ. 서론
      • Ⅱ. 역박갑본의 유래 및 특성
      • Ⅲ. 역박갑본 풍속화에 나타난 여자복식
      • Ⅳ. 역박갑본의 풍속화에 나타난 16세기 여자복식의 특징
      • 〈Abstract〉
      • Ⅰ. 서론
      • Ⅱ. 역박갑본의 유래 및 특성
      • Ⅲ. 역박갑본 풍속화에 나타난 여자복식
      • Ⅳ. 역박갑본의 풍속화에 나타난 16세기 여자복식의 특징
      • Ⅴ. 결론
      • 참고문헌
      더보기

      참고문헌 (Reference)

      1 김지연, "일본여성의 전통두발 양식과 미의식에 관한 연구" 호서대학교 2012

      2 北村哲郎, "일본복식사" 경춘사 137-, 1999

      3 최은수, "일본 여성의 쓰개 가츠기" 26 : 132-168, 2013

      4 김용문, "아시아의 修髮樣式에 관한 硏究 : 동아시아를 중심으로" 성신여자대학교 1993

      5 김금화, "미쯔이(三井)가문의 고소데(小袖)에 관한 연구 -문화학원박물관 소장자료를 중심으로-" 한복문화학회 16 (16): 105-121, 2013

      6 김금화, "미쯔이(三井) 가문의 후리소데(振袖)에 관한 연구" 한복문화학회 16 (16): 123-139, 2013

      7 조우현, "동양복식사" 민속원 13-, 2013

      8 大久保尚子, "近世後期の服飾と絵画とのかかわりに関する一考察" 29 : 49-64, 1999

      9 岩崎均史, "近世初期風俗画と洛中洛外図屏風" 2 : 19-27, 2012

      10 平井美江, "近世初期の絵画に描かれた小袖の衿についての一考察" 14 : 151-166, 2009

      1 김지연, "일본여성의 전통두발 양식과 미의식에 관한 연구" 호서대학교 2012

      2 北村哲郎, "일본복식사" 경춘사 137-, 1999

      3 최은수, "일본 여성의 쓰개 가츠기" 26 : 132-168, 2013

      4 김용문, "아시아의 修髮樣式에 관한 硏究 : 동아시아를 중심으로" 성신여자대학교 1993

      5 김금화, "미쯔이(三井)가문의 고소데(小袖)에 관한 연구 -문화학원박물관 소장자료를 중심으로-" 한복문화학회 16 (16): 105-121, 2013

      6 김금화, "미쯔이(三井) 가문의 후리소데(振袖)에 관한 연구" 한복문화학회 16 (16): 123-139, 2013

      7 조우현, "동양복식사" 민속원 13-, 2013

      8 大久保尚子, "近世後期の服飾と絵画とのかかわりに関する一考察" 29 : 49-64, 1999

      9 岩崎均史, "近世初期風俗画と洛中洛外図屏風" 2 : 19-27, 2012

      10 平井美江, "近世初期の絵画に描かれた小袖の衿についての一考察" 14 : 151-166, 2009

      11 長崎巌他3名, "近世⦁近代風俗画における服飾表現に関する分野横断的研究" 服飾文化共同研究 1-10, 2011

      12 安達文夫, "超高精細デジタル資料 洛中洛外図屏風」の閲覧特性" 国立歴史民俗博物館研究 173-, 2014

      13 木曾山かね, "被衣の構成と意匠" 25 : 111-117, 1985

      14 澤田和人, "被衣" 127 : 24-27, 2004

      15 小島道裕, "洛中洛外図屏風歴博甲本の制作事情をめぐって" 国立歴史民俗博物館研究 107-, 2014

      16 郡馬縣博物館, "洛中洛外図屏風に書かれた世界"

      17 小島道裕, "洛中洛外図屏風─美しさの背後にあるもの" 2 : 4-18, 2012

      18 郡馬縣博物館, "洛中洛外図屏 風に書かれた世界"

      19 菊池ひと美, "江戸衣装図鑑" 東京堂出版 20-, 2011

      20 倉盛三知代, "江戸小袖の裾についての一考察" 54 : 181-190, 2004

      21 丸山伸彦, "江戸きものと衣生活" 小学館 126-131, 2007

      22 大沼淳, "服飾辞典" 文化出版局 50-, 1979

      23 坪田五雄, "日本女性の歴史, 6: 室町戦乱期の女性" 晩教育図書 113-, 1978

      24 南ちゑ, "日本の髮型" 紫紅社 160-, 1988

      25 東京国立博物館, "日本の染色" 東京美術 68-69, 1973

      26 정혜란, "日本 고소데(小 ) 紋樣에 대한 考察" 한국대학박물관협회 62 : 87-112, 2003

      27 菊地由希子, "平安服飾における晴と褻の概念" 27 : 101-, 1998

      28 森理恵, "室町時代末期から桃山時代における武家少年の衣服" 30 : 17-32, 2000

      29 澤田和人, "室町‧桃山時代における男性の小袖型服飾に見る年齢による差異" 鹿島美術財団研究 81-93, 2000

      30 "奈良博物館"

      31 "国立歴史民俗博物館4"

      32 "国立歴史民俗博物館"

      33 "国立歴史民俗博物館"

      34 米沢市上杉博物館, "国宝上杉本 洛中洛外図屏風" 川島印刷 28-, 2011

      35 中田満雄, "図解 服装の移り変り 日本篇" 東海書房 1966

      36 清水とき, "きものお母さん" 婦人画報社 95-, 2010

      37 女子美術大学美術館, "KIMONO 小袖に見る華デザインの世界"

      더보기

      동일학술지(권/호) 다른 논문

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      인용정보 인용지수 설명보기

      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2023 평가 재인증평가 신청대상 (재인증)
      2020-01-01 등재 등재학술지 선정 (재인증) KCI등재
      2019-04-26 학회명변경 영문명 : 미등록 -> The Society of Korean Traditional Costume KCI등재후보
      2019-04-25 학술지명변경 외국어명 : society for culture of HAN-BOK -> Journal of Korean Traditional Costume KCI등재후보
      2019-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
      2018-12-01 등재 등재후보로 하락 (계속평가) KCI등재후보
      2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
      더보기

      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.53 0.53 0.45
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.43 0.4 0.672 0.23
      더보기

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼