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      『맥베스』의 변용과 해석: 폴란스키의 경우 = Roman Polanski's Adaptation and Interpretation of Shakespeare's Macbeth

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      https://www.riss.kr/link?id=A82258859

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      다국어 초록 (Multilingual Abstract)

      This paper deals with Roman Polanski's interpretation of Shakespeare's Macbeth. In his 1971 film adaptation, many passages from the original play were cut or changed for cinematic purposes. The film's ending is the most significant change from the original text. Polanski directly presents the bloody head of Macbeth beheaded by Macduff, and the scene evokes horror and the cruelty of human beings. He inserts a wordless scene at the end, in which Donalbain enters the witches' lair. This scene implies that a power struggle will resume soon and will be repeated endlessly. Polanski is very negative and pessimistic about power, and manipulates scenes to strengthen his own point of view. His view of human nature is also pessimistic, which is exemplified in his depiction of Rosse, who betrays Macbeth later, and Macbeth who never regrets his own bloody actions. The film is a powerful depiction of ruthless power and Polanski's own naturalistic, nihilistic and pessimistic presentation of the unstable nature of power and human cruelty.
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      This paper deals with Roman Polanski's interpretation of Shakespeare's Macbeth. In his 1971 film adaptation, many passages from the original play were cut or changed for cinematic purposes. The film's ending is the most significant change from the ori...

      This paper deals with Roman Polanski's interpretation of Shakespeare's Macbeth. In his 1971 film adaptation, many passages from the original play were cut or changed for cinematic purposes. The film's ending is the most significant change from the original text. Polanski directly presents the bloody head of Macbeth beheaded by Macduff, and the scene evokes horror and the cruelty of human beings. He inserts a wordless scene at the end, in which Donalbain enters the witches' lair. This scene implies that a power struggle will resume soon and will be repeated endlessly. Polanski is very negative and pessimistic about power, and manipulates scenes to strengthen his own point of view. His view of human nature is also pessimistic, which is exemplified in his depiction of Rosse, who betrays Macbeth later, and Macbeth who never regrets his own bloody actions. The film is a powerful depiction of ruthless power and Polanski's own naturalistic, nihilistic and pessimistic presentation of the unstable nature of power and human cruelty.

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      참고문헌 (Reference)

      1 Polanski, Roman., Heinemann 1984

      2 Gervinus, G. G., "Third Period of Shakespeare’s Dramatic Poetry: Macbeth in Shakespeare Commentaries"

      3 Petersen, P. S., "The ‘Bloody Busines’ of Roman Polanski’s Macbeth: A Case Study of the Dynamics of Modern Shakespeare Appropriation in Screen Shakespeare" Aarhus UP 38-63, 1994

      4 Reynolds, Bryan., "The Terrorism of Macbeth and Charles Manson: Reading Cultural Construction in Polanski and Shakespeare" 13 : 109-29, 1993

      5 Jorgens, Jack J., "The Opening Scene of Polanski’s Macbeth" 3 (3): 277-278, 1975

      6 Scott, Mark W., "Shakespearean Criticism. Vol. 3" Gale 1984

      7 Holderness, Graham., "Shakespeare on the Screen: A Selective Filmography in Shakespeare and the Moving Image: the Plays on Film and Television" Cambridge UP 18-49, 1994

      8 Buhler,Stephen M., "Shakespeare in the Cinema:Ocular Proof" State U of New York P 2002

      9 Rothwell, Kenneth S., "Roman Polanski’s Macbeth: Golgotha Triumphant" 1 (1): 71-75, 1973

      10 Harper, Wendy Rogers., "Polanski vs. Welles on Macbeth: Character or Fate?" 14 (14): 203-210, 1986

      1 Polanski, Roman., Heinemann 1984

      2 Gervinus, G. G., "Third Period of Shakespeare’s Dramatic Poetry: Macbeth in Shakespeare Commentaries"

      3 Petersen, P. S., "The ‘Bloody Busines’ of Roman Polanski’s Macbeth: A Case Study of the Dynamics of Modern Shakespeare Appropriation in Screen Shakespeare" Aarhus UP 38-63, 1994

      4 Reynolds, Bryan., "The Terrorism of Macbeth and Charles Manson: Reading Cultural Construction in Polanski and Shakespeare" 13 : 109-29, 1993

      5 Jorgens, Jack J., "The Opening Scene of Polanski’s Macbeth" 3 (3): 277-278, 1975

      6 Scott, Mark W., "Shakespearean Criticism. Vol. 3" Gale 1984

      7 Holderness, Graham., "Shakespeare on the Screen: A Selective Filmography in Shakespeare and the Moving Image: the Plays on Film and Television" Cambridge UP 18-49, 1994

      8 Buhler,Stephen M., "Shakespeare in the Cinema:Ocular Proof" State U of New York P 2002

      9 Rothwell, Kenneth S., "Roman Polanski’s Macbeth: Golgotha Triumphant" 1 (1): 71-75, 1973

      10 Harper, Wendy Rogers., "Polanski vs. Welles on Macbeth: Character or Fate?" 14 (14): 203-210, 1986

      11 Coursen, H. R., "Macbeth: Polanski’s Disastrous Version" 2 (2): 2-5, 1978

      12 Berlin, Normand., "Macbeth: Polanski and Shakespeare" 1 (1): 291-298, 1973

      13 Shakespeare, William, "Macbeth. The Riverside Shakespeare" Houghton Mifflin 1974

      14 Polanski, Roman., "Macbeth. Dir. Roman Polanski. Perf. Jon Finch as Macbeth and Francesca Annis as Lady Macbeth"

      15 Pearlman, E., "Macbeth on Film: Politics" 39 : 67-74, 1987

      16 Mullin, Michael., "Macbeth on Film" 1 (1): 332-342, 1973

      17 Wertheimer, Jürgen., "Kurosawa’s Kumonosujo and Polanski’s Macbeth: Aspects of Comparative Film Criticism" 355-359, 1985

      18 Willson, Robert F., Jr., "Fated Macbeths: The Film Director as God" Jahrbuch der Deutschen Shakespeare Gesellschaft West 164-167, 1984

      19 Adelman, Janet., "Born of Woman: Fantasies of Maternal Power in Macbeth in Cannibals, Witches, and Divorce: Estranging the Renaissance" John Hopkins UP 90-121, 1987

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      2022 평가예정 재인증평가 신청대상 (재인증)
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2001-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.24 0.24 0.29
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.3 0.27 0.658 0.13
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