朝鮮朝 燈器具에 관한 硏究 : 金屬製를 中心으로 = (The )study on lighting implements of the Yi dynasty

국문 초록 (Abstract)

燈器具는 우리의 日常生活과 깊은 관련을 맺고있는 生活工藝品으로 人類가 불을 發見한 이래 가장 오랫동안 使用되어왔던 照明器具이며 原來에는 단순히 어둠을 밝히는 道具였으나, 점차 發展하여 아름답고 편리하게 使用될 수 있는 工藝品으로 變化되어왔다.
한편 燈器具는 高麗時代 佛敎의 영향으로 많은 發展이 있었으며 이러한 것들은 그 形態가 華麗하고 貴族的이라는 점이 特徵的이며 對照的으로 朝鮮朝에와서는 儒敎의 영향으로 소박하고 庶民的이며 實用的이라는 점이 特異할만하다.
燈器具는 形態 및 用道에 따라 油燈, 燭臺, 長燈, 提燈의 네가지로 나누워질 수 있다. 油燈은 庶民階層에서 使用하던 燈器具로서 形態가 單純하고 實用的이며 種類가 다양한데 반하여 燭臺는 초의 材料가 貴하고 製造方法이 어려웠기 때문에 上流階層에서 使用되어졌고 形態가 華麗하고 裝飾的인 것들이 많다. 長燈은 朝鮮朝後期에 上流層의 書齊등에서 使用되던 燈器具로서 木材의 틀위에 黃紗나 油紙를 발라서 만들었으며, 그 속에 燭臺나 油盞을 넣어서 使用하도록 꾸며져있고 提燈은 携帶用이나 屋外照明器具로 쓰이던 燈器具로 特히 佛敎行事와 관련하여 高麗時代에 매우 發展하였다.
燈器具의 製作된 材料를 살펴보면 鐵, 銅, 銀등의 金屬과 그밖에 木材陶磁, 유리, 종이등이 多樣하게 使用되었으며, 鐵과 같은 金屬材는 주로 燭臺와 小形燈盞에 쓰였고, 木材는 長燈이나 등경걸이에서 찾을 수 있으며, 陶磁類는 燈盞에서 유리나 종이는 長燈이나 提燈에 使用되었다.
우리는 五千年의 찬란한 文化歷史를 지닌 民族이다. 그럼에도 불구하고 現代에 이르러 날로 發展하는 物質文明에 의하여 固有한 우리의 傳統文化가 차츰 사라지고 있는 것은 매우 안타까운 일이 아닐 수 없다.
本論文은 燈器具를 通하여 우리 祖上들의 美意識을 살펴보고, 現代 照明器具에 있어 傳統工藝의 조형성과 기능성을 계승, 發展시킨다는 취지에서 作成하였다.

다국어 초록 (Multilingual Abstract)

The lighting implement is one of the folk-craft work which has much to do our dairly life. It has been used for a long time since man had discovered the fire. And it had been a instrument only to be brighten the darkness but it has been changed into more beautiful craft works.
In the Koryor dynasty, the Lighting implement had developed under the influence of Buddhism. Therefore it was splendid and noble. On contrary, the lighting implement of Yi dynasty is artless, practical and naive. Because it was influenced by confucianism.
According to use, the lighting implement is divided into four:the candle stick, the lamp-oil container, the floor lamp, and the hand lantern.
The candle stick was used by the upper class in a ancient times, because it was difficult to acquire materials of the candle and to know the reipe of it. Therefore, the candle stick were decorated with splendid and pretty figure.
But, as compared with the candle stick, the lamp-oil container was used in the common people. There shapes were simple and practical. They have many different kinds.
The floor lamp had been placed in the library of the upper class. It was consisted of woden frame and oil-papper cover. And the candle was placed in them.
The hand lentern was protable lighting implement and developed in koryor dynasty by the functions of Buddhism.
These light implements were made of various materials which are metals, as irons, coppers, or silvers, woods, ceramics, glasses and pappers etc.
The metal as irons was discovered in the little rack for lamp-oil container and the candle stick. The wood was discovered in the floor lamp and the rack for lamp-oil container, the ceramic in lamp-oil container and the glass or papper in floor lamp.
In the use of materials, at first the wood, generally, was used but changed into Metals.
We, Korean, have had a brilliant history of culture through 5,000 year. Neverthless, it makes my hearts hurt that our traditional culture has been disappeared by the material civilization imported from foregin countries.
In this thsis, I try to know our ancestors' feeling of beauty and to pursuit succession and development of traditional craft in mordern times.

목차 (Table of Contents)

• 목차
• 國文抄錄 = 1
• I. 序論 = 3
• 1. 硏究의 目的 = 3
• 2. 硏究의 範圍 및 方法 = 5
• II. 時代的 背景에 따른 樣式變遷 = 7
• III. 形態 및 用途에 따른 分類 = 12
• 1. 油燈 = 12
• 가. 燈盞 = 13
• 나. 燈盞臺 = 15
• 2. 燭臺 = 23
• 3. 長燈 = 31
• 4. 提燈 = 34
• 가. 燈籠 = 35
• 나. 燭籠 = 39
• IV. 材料 = 43
• 1. 金屬 = 45
• 2. 木材 = 47
• 3. 陶磁 및 玉石 = 47
• 4. 종이 = 48
• V. 製作方法 = 50
• 1. 鑄造 = 52
• 2. 板金 = 53
• 3. 문양시문方法 = 54
• 가. 線刻 = 54
• 나. 入絲 = 54
• VI. 結論 = 57
• 參考文獻 = 60
• 英文抄錄 = 62