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    KCI등재

    대사를 생명력 있게 만드는 멘탈 이미지의 하위양식 = Sub-modality of Mental Images to Make lines Alive

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    https://www.riss.kr/link?id=A106287325

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Traditional speech training in acting education focused on the technical aspects of expressing the lines such as finding long/short syllables in the word, exercising articulation of consonants and vowels, and practicing diction etc. There was a limit on this education to transform written words to vivid verbal words. The lines become live when the actor sees the concrete mental images hidden in the words while speaking the lines. I will bring the knowledge of cognitive brain science and NLP(Neural Linguistic Programming) to investigate what mental images are and why mental images are fundamental elements of thought and emotion. In addition to that, I will examine how the muscles of the body react in the process of visualization of delicate mental images (subordinate form) and how to use the responsive muscles to express speaking materials such as intensity, pause, pitch, intonation etc. Conclusion, I will enumerate the obstacles encountered by actors in the course of practicing mental images, and suggest 'activation of breathing' as a thesis of the follow-up paper to eliminate those obstacles. This process, I intend to make mental images to be the concrete and practical information that can be applied to speak the dialogue in the play.
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    Traditional speech training in acting education focused on the technical aspects of expressing the lines such as finding long/short syllables in the word, exercising articulation of consonants and vowels, and practicing diction etc. There was a limit ...

    Traditional speech training in acting education focused on the technical aspects of expressing the lines such as finding long/short syllables in the word, exercising articulation of consonants and vowels, and practicing diction etc. There was a limit on this education to transform written words to vivid verbal words. The lines become live when the actor sees the concrete mental images hidden in the words while speaking the lines. I will bring the knowledge of cognitive brain science and NLP(Neural Linguistic Programming) to investigate what mental images are and why mental images are fundamental elements of thought and emotion. In addition to that, I will examine how the muscles of the body react in the process of visualization of delicate mental images (subordinate form) and how to use the responsive muscles to express speaking materials such as intensity, pause, pitch, intonation etc. Conclusion, I will enumerate the obstacles encountered by actors in the course of practicing mental images, and suggest 'activation of breathing' as a thesis of the follow-up paper to eliminate those obstacles. This process, I intend to make mental images to be the concrete and practical information that can be applied to speak the dialogue in the play.

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    참고문헌 (Reference)

    1 K. Linklater, "자유로운 음성을위하여" 동인 474-, 2009

    2 C. Stanislavski, "성격구축" 예니 139-, 2001

    3 J. Weston, "감독을 위한 영화연기 연출법" 시공사 170-, 1999

    4 J.S. Choi, "What are Images of Words and Why Should Actors Expand Their Vocal Variety to Convey Them?" Royal Central School 2012

    5 C, Shewell, "Voice Work: the Art and Science of Changing Voices" Wiley Blackwell 184-, 2009

    6 R. Barton, "Voice Onstage and Off" Routledge 217-, 2011

    7 R. D. Vera, "The Voice in Violence" Applause Theatre Book Publishers 53-, 2001

    8 A. Damasio, "The Feeling of What Happens" Vintage 318-, 2000

    9 R. Blair, "The Actor, Image, and Action-Acting and Cognitive Neuroscience" Routledge 67-, 2008

    10 A. Damasio, "Self Comes to Mind" Vintage 134-, 2010

    1 K. Linklater, "자유로운 음성을위하여" 동인 474-, 2009

    2 C. Stanislavski, "성격구축" 예니 139-, 2001

    3 J. Weston, "감독을 위한 영화연기 연출법" 시공사 170-, 1999

    4 J.S. Choi, "What are Images of Words and Why Should Actors Expand Their Vocal Variety to Convey Them?" Royal Central School 2012

    5 C, Shewell, "Voice Work: the Art and Science of Changing Voices" Wiley Blackwell 184-, 2009

    6 R. Barton, "Voice Onstage and Off" Routledge 217-, 2011

    7 R. D. Vera, "The Voice in Violence" Applause Theatre Book Publishers 53-, 2001

    8 A. Damasio, "The Feeling of What Happens" Vintage 318-, 2000

    9 R. Blair, "The Actor, Image, and Action-Acting and Cognitive Neuroscience" Routledge 67-, 2008

    10 A. Damasio, "Self Comes to Mind" Vintage 134-, 2010

    11 J. O'connor, "NLP 입문" 학지사 96-, 2010

    12 C. Turk, "Effective Speaking" Spoon Press 131-, 1985

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
    2013-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2012-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2010-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.79 0.79 0.72
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.7 0.67 0.781 0.27
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