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    조선 후기 전란을 기억하는 몇 가지 방식: 전란 소재 야담의 양상에 주목하여 = The Ways of Remembering the Wars in the Late Joseon Dynasty the Aspects of the War Narratives of Yadam

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    https://www.riss.kr/link?id=A108924184

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The purpose of this article is to divide the narratives of the wars occurred in the late Joseon Dynasty into a few layers of memory in order to reveal their characteristics from a critical point of view. The subjects of discussion are some novellas and Yadam which have been mentioned often. Whilst there had been some discussions of the war narratives of Yadam, the discussions were only limited in the subject of some specific material or a war. However, the war narratives of novellas and Yadam have many correlations which were embodied according to the characteristics of each piece. Thus, this article is focusing on the characteristics and aspects of war narratives of Yadam, which were relatively less discussed. The first subject is the novellas of the wars occurred in the late Joseon Dynasty. In this article, this type is divided into three layers to investigate the overall characteristics. According to the temporal level of memory, it was divided into individual experiences, the elevation of nationalism through heroes, and the realization of Joseon humanism that stimulates tears in order to investigate the aspects of the memories and their limitations. The war narratives of Yadam which share similar materials or narrations could be categorized into return-alive stories, escape stories, and fidelity stories. Each story could be differentiated by its narrative composition, thus the desire and the intention as well. There also were a lot of transitions in the stories even within the same category depending on the period of time written. While the focus is on an individual character itself in Yadam literature, it is more about ‘how’ the character ‘survives’ in war narratives. And the stories also highlight the fact that the war is an inevitable fate. These are the differences from novellas where the characters fight back or overcome the fate, however, they also share similarities in which the stories are of the memories of a survivor. The violence of wars or the responsibilities of nation are often forgotten or even forgiven in the stories. Moreover, the stories of overcoming the wars in the late Joseon Dynasty are often disguised as the desire of the people. Therefore, it is highly suspected that the narratives of the wars in the late Joseon Dynasty are not revealing or accusing the violence of the wars itself but are being used as a justification for maintaining the dynastic society. The war narratives could, of course, take many different ways such as to fight back, to comfort people, or to oppose the war. However, there were not even one piece of the war narratives of the late Joseon Dynasty where the message of opposing the war could be found.
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    The purpose of this article is to divide the narratives of the wars occurred in the late Joseon Dynasty into a few layers of memory in order to reveal their characteristics from a critical point of view. The subjects of discussion are some novellas an...

    The purpose of this article is to divide the narratives of the wars occurred in the late Joseon Dynasty into a few layers of memory in order to reveal their characteristics from a critical point of view. The subjects of discussion are some novellas and Yadam which have been mentioned often. Whilst there had been some discussions of the war narratives of Yadam, the discussions were only limited in the subject of some specific material or a war. However, the war narratives of novellas and Yadam have many correlations which were embodied according to the characteristics of each piece. Thus, this article is focusing on the characteristics and aspects of war narratives of Yadam, which were relatively less discussed. The first subject is the novellas of the wars occurred in the late Joseon Dynasty. In this article, this type is divided into three layers to investigate the overall characteristics. According to the temporal level of memory, it was divided into individual experiences, the elevation of nationalism through heroes, and the realization of Joseon humanism that stimulates tears in order to investigate the aspects of the memories and their limitations. The war narratives of Yadam which share similar materials or narrations could be categorized into return-alive stories, escape stories, and fidelity stories. Each story could be differentiated by its narrative composition, thus the desire and the intention as well. There also were a lot of transitions in the stories even within the same category depending on the period of time written. While the focus is on an individual character itself in Yadam literature, it is more about ‘how’ the character ‘survives’ in war narratives. And the stories also highlight the fact that the war is an inevitable fate. These are the differences from novellas where the characters fight back or overcome the fate, however, they also share similarities in which the stories are of the memories of a survivor. The violence of wars or the responsibilities of nation are often forgotten or even forgiven in the stories. Moreover, the stories of overcoming the wars in the late Joseon Dynasty are often disguised as the desire of the people. Therefore, it is highly suspected that the narratives of the wars in the late Joseon Dynasty are not revealing or accusing the violence of the wars itself but are being used as a justification for maintaining the dynastic society. The war narratives could, of course, take many different ways such as to fight back, to comfort people, or to oppose the war. However, there were not even one piece of the war narratives of the late Joseon Dynasty where the message of opposing the war could be found.

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    참고문헌 (Reference)

    1 이명현, "환향녀 서사의 존재 양상과 의미" 동아시아고대학회 (60) : 9-40, 2020

    2 정환국, "한국 고전해양문학의 정위(正位)와 기대지평" 한국문학연구소 (68) : 11-43, 2022

    3 신상필, "필기의 서사화 양상에 관한 연구 : 『용재총화』와 『어우야담』을 중심으로" 성균관대학교 대학원 2005

    4 정양, "포옹집(抱翁集)(한국문집총간 101)"

    5 정환국, "정본 한국 야담전집 1〜10" 보고사 2021

    6 정길수, "전쟁의 기억과 <임진록>- <임진록> ‘역사 계열’ 한문본을 중심으로 -" 국문학회 (29) : 7-35, 2014

    7 이재준, "전란가사에 나타난 두 가지 세계인식" 온지학회 (44) : 63-92, 2015

    8 소재영, "임진록" 민족문화연구원 1993

    9 "유록(柳綠)의 한(恨)"

    10 유진, "역주 임진록" 영남대 민족문화연구소 2000

    1 이명현, "환향녀 서사의 존재 양상과 의미" 동아시아고대학회 (60) : 9-40, 2020

    2 정환국, "한국 고전해양문학의 정위(正位)와 기대지평" 한국문학연구소 (68) : 11-43, 2022

    3 신상필, "필기의 서사화 양상에 관한 연구 : 『용재총화』와 『어우야담』을 중심으로" 성균관대학교 대학원 2005

    4 정양, "포옹집(抱翁集)(한국문집총간 101)"

    5 정환국, "정본 한국 야담전집 1〜10" 보고사 2021

    6 정길수, "전쟁의 기억과 <임진록>- <임진록> ‘역사 계열’ 한문본을 중심으로 -" 국문학회 (29) : 7-35, 2014

    7 이재준, "전란가사에 나타난 두 가지 세계인식" 온지학회 (44) : 63-92, 2015

    8 소재영, "임진록" 민족문화연구원 1993

    9 "유록(柳綠)의 한(恨)"

    10 유진, "역주 임진록" 영남대 민족문화연구소 2000

    11 이강옥, "야담집에서의 이경류 이야기의 전개와 그 의미" 한국문학회 (61) : 61-93, 2012

    12 정출헌, "야담의 口演 현장과 敍事雜錄으로의 전환 -임진왜란 평민의병 諸沫의 일화를 중심으로-" 우리한문학회 46 : 95-130, 2022

    13 박양리, "병자호란(丙子胡亂) 피로(被擄)여성 트라우마의 서사적 대응과 그 의미" 여성연구소 27 (27): 41-70, 2017

    14 이상구, "박씨전・금방울전" 문학동네 2018

    15 정환국, "두 번의 전란과 두 가지 歸鄕의 서사" 일본연구소 53 : 89-114, 2018

    16 이재, "도암집(陶菴集)(한국문집총간 195)"

    17 오카 마리, "기억・서사" 소명출판 2004

    18 "기설(奇說)"

    19 박용식, "금방울전/김원전/남윤전/당태종전/이화전/최랑전" 민족문화연구소 1995

    20 이종필, "‘戰亂 家族敍事’의 여성 형상화 양상과 그 의미 -병자전쟁 배경의 야담을 중심으로-" 근역한문학회 46 : 183-205, 2017

    21 장경남, "<임진록>에 반영된 당대의 담론-국립중앙도서관 소장 한문본과 한글본을 중심으로-" 한국고소설학회 (53) : 5-32, 2022

    22 서신혜, "<사씨남정기> 서술기법의 전변으로서의 <유록전>" 온지학회 (46) : 93-120, 2016

    23 서혜은, "<박씨전> 이본 계열의 양상과 상관관계" 한국고전문학회 (34) : 199-227, 2008

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