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    이상(李箱)문학과 수용,영향 연구 = The Literary Works of Monsieur Lichan(Lee Sang, Sang Lee or Yisang) and the Notion of Influence and Reception

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    https://www.riss.kr/link?id=A82343316

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study is to review the hypothesis that the works of Monsieur Lichan(李箱; 1910~1937) were or might be influenced literally by some Japanese writers, especia1ly Ryunosuke Akutagawa(芥川龍之介; 1892~1927) and to evaluate the validity of research processes related with the hypothesis. Monsieur Lichan is a western-styled name that the writer not only has given by himself but also has exhibited readers tacitly in his novel, A Darkroom on the Map(<地圖의 暗室>). According to this statement of the writer that has been known as Lee Sang, Sang Lee or Yi Sang(the Korean pen name of the writer, Mr. Hae-kyung KIM), this English `abstract` suggests that Monsieur Lichan would be his western pen name that the writer has wanted tacitly. This study finds that the influences of Japanese writers, especially Akutagawa, on the works and life of Monsieur Lichan have been exaggerated generally with tunnel visions or inappropriate premises on the articles published by some experts, especially some scholars majored in Japanese Literature and on the theses which published for the degrees by graduate students. This study finds that comparative studies on the works of Monsieur Lichan have been emphasized on affinities with Japanese writers on the 1910s~1930s. The through investigation, however, shows the most of affinities turns out the differences on a common current in the literary world or the kinds of allegories in a broad sense. It could have established no influence, because influence presupposes some manner of causality beyond affinity. Moreover, there are a pool of originality, creativity, and experimentation on the works of Monsieur Lichan. Those comparative studies, however, have failed or shirked out revealing them.
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    This study is to review the hypothesis that the works of Monsieur Lichan(李箱; 1910~1937) were or might be influenced literally by some Japanese writers, especia1ly Ryunosuke Akutagawa(芥川龍之介; 1892~1927) and to evaluate the validity of rese...

    This study is to review the hypothesis that the works of Monsieur Lichan(李箱; 1910~1937) were or might be influenced literally by some Japanese writers, especia1ly Ryunosuke Akutagawa(芥川龍之介; 1892~1927) and to evaluate the validity of research processes related with the hypothesis. Monsieur Lichan is a western-styled name that the writer not only has given by himself but also has exhibited readers tacitly in his novel, A Darkroom on the Map(<地圖의 暗室>). According to this statement of the writer that has been known as Lee Sang, Sang Lee or Yi Sang(the Korean pen name of the writer, Mr. Hae-kyung KIM), this English `abstract` suggests that Monsieur Lichan would be his western pen name that the writer has wanted tacitly. This study finds that the influences of Japanese writers, especially Akutagawa, on the works and life of Monsieur Lichan have been exaggerated generally with tunnel visions or inappropriate premises on the articles published by some experts, especially some scholars majored in Japanese Literature and on the theses which published for the degrees by graduate students. This study finds that comparative studies on the works of Monsieur Lichan have been emphasized on affinities with Japanese writers on the 1910s~1930s. The through investigation, however, shows the most of affinities turns out the differences on a common current in the literary world or the kinds of allegories in a broad sense. It could have established no influence, because influence presupposes some manner of causality beyond affinity. Moreover, there are a pool of originality, creativity, and experimentation on the works of Monsieur Lichan. Those comparative studies, however, have failed or shirked out revealing them.

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    참고문헌 (Reference)

    1 김윤식, "이상연구" 문학사상사 1987

    2 오유미, "이상문학의 외래적 요소" 1 : 203-243, 1976

    3 추은희, "이상과 太宰治문학 대조연구" 11 (11): 77-88, 1983

    4 김미정, "이상 문학에 나타난 외국문학의 수용양상 - 자아정체성 형성과 관련하여" 18 : 24-43, 1993

    5 장혜정, "아쿠타가와와 이상문학의 비교연구 - 양자의식의 유사성을 중심으로" 3 : 275-292, 2004

    6 장혜정, "아쿠타가와와 이상문학 비교연구 - 불안의식을 중심으로" 한국외대 2007

    7 김명주, "아쿠타가와 톱니바퀴(齒車)와 이상 날개비교고찰" 한국일어일문학회 49 (49): 415-438, 2004

    8 김명주, "아쿠타가와 류노스케(芥川竜之介)와 이상(李箱)문학 비교 -도쿄(東京)를 중심으로-" 한국일본어교육학회 (44) : 193-215, 2008

    9 이혜순, "비교문학의 새로운 조명" 태학사 2002

    10 박성창, "비교문학의 도전" 민음사 2009

    1 김윤식, "이상연구" 문학사상사 1987

    2 오유미, "이상문학의 외래적 요소" 1 : 203-243, 1976

    3 추은희, "이상과 太宰治문학 대조연구" 11 (11): 77-88, 1983

    4 김미정, "이상 문학에 나타난 외국문학의 수용양상 - 자아정체성 형성과 관련하여" 18 : 24-43, 1993

    5 장혜정, "아쿠타가와와 이상문학의 비교연구 - 양자의식의 유사성을 중심으로" 3 : 275-292, 2004

    6 장혜정, "아쿠타가와와 이상문학 비교연구 - 불안의식을 중심으로" 한국외대 2007

    7 김명주, "아쿠타가와 톱니바퀴(齒車)와 이상 날개비교고찰" 한국일어일문학회 49 (49): 415-438, 2004

    8 김명주, "아쿠타가와 류노스케(芥川竜之介)와 이상(李箱)문학 비교 -도쿄(東京)를 중심으로-" 한국일본어교육학회 (44) : 193-215, 2008

    9 이혜순, "비교문학의 새로운 조명" 태학사 2002

    10 박성창, "비교문학의 도전" 민음사 2009

    11 바이스슈타인,울리히, "비교문학론" 홍성사 1980

    12 슈브렐,이브, "비교문학, 어떻게 할 것인가" 민음사 2002

    13 방 띠겜, "비교문학" 신양사 1959

    14 윤호병, "비교문학" 민음사 2005

    15 황석숭, "芥川龍之介의 문학과 이상의 소설"

    16 Saussy,Haun, "Comparative Literature in an Age of Globalization" Johns Hopkins Univ. Press 2006

    17 한계전, "1930년대 한국문학의 비교문학적 연구" 14 : 9-115, 1989

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    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.19 0.19 0.26
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.24 0.23 0.629 0.15
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