Close up, 1927-33 : cinema and modernism

목차 (Table of Contents)

• CONTENTS
• Preface = ⅶ
• Introduction : Reading Close Up, 1927-1933 / Anne Friedberg = 1
• PART 1 ENTHUSIASMS AND EXECRATIONS
• Introduction / James Donald = 28
• As Is(July 1927) / Kenneth Macpherson = 36
• British Solecisms / Oswell Blakeston = 41
• Emak Bakia / Man Ray = 43
• An Interview : Anita Loos / Bryher = 48
• A New Cinema, Magic and the Avant Garde / Robert Herring = 50
• The French Cinema / Harry A. Potamkin = 57
• The Aframericn Cinema / Harry A. Potamkin = 65
• The Negro Actor and the American Movies / Geraldyn Dismond = 73
• PART 2 FROM SILENCE TO SOUND
• Introduction / James Donald = 79
• The Sound Film : A Statement from U.S.S.R. / S.M. Eisenstein ; W.I. Pudowkin［Pudovkin］ ; G.V. Alexandroff［Alexandrov］ = 83
• The Sound Film : Salvation of Cinema / Jean Lenauer = 87
• Why ‘Talkies' Are Unsound / Ernest Betts = 89
• As Is(October 1929) / Kenneth Macpherson = 90
• PART 3 THE CONTRIBUTION OF H.D.
• Introduction / Laura Marcus = 96
• The Cinema and the Classics
• Ⅰ Beauty = 105
• Ⅱ Restraint = 110
• Ⅲ The Mask and the Movietone = 114
• Conrad Veidt : The Student of　Prague = 120
• Expiation = 125
• Joan of Arc = 130
• Russian Films = 134
• An Appreciation = 139
• PART 4 CONTINUOUS PERFORMANCE : DOROTHY RICHARDSON
• Introduction / Laura Marcus = 150
• Continuous Performance
• 〔unnumbered and untitled〕(July 1927) = 160
• Ⅱ Musical Accompaniment = 162
• Ⅲ Captions = 164
• Ⅳ A Thousand Pities = 166
• Ⅴ There's No Place Like Home = 168
• Ⅵ The Increasing Congregation = 170
• Ⅶ The Front Rows = 172
• Ⅷ 〔Animal impudens〕(March 1928) = 174
• Ⅸ The Thoroughly Popular Film = 177
• Ⅹ The Cinema in the Slums = 180
• XI Slow Motion = 182
• XII The Cinema in Arcady = 184
• Pictures and Films = 186
• Almost Persuaded = 190
• Dialogue in Dixie = 193
• A Tear for Lycidas = 196
• Narcissus = 201
• This Spoon-fed Generation? = 203
• The Film Gone Male = 205
• 〔untitled〕(June 1933) = 207
• Dawn's Left Hand / W.B. 〔Bryher〕 reviewed by = 209
• PART 5 BORDERLINE AND THE POOL FILMS
• Introduction / Anne Friedberg = 212
• Borderline : A POOL Film with Paul Robeson H.D. = 221
• As Is(November 1930) / Kenneth Macpherson = 236
• PART 6 CINEMA AND PSYCHOANALYSIS
• Introduction / Laura Marcus = 240
• Mind-growth or Mind-mechanization? The Cinema in Education / Barbara Low = 247
• Film Psychology / Hanns Sachs = 250
• Freud on the Films / Oswell Blakeston = 254
• The Film in Its Relation to the Unconscious / L. Saalschutz = 256
• Dreams and Films / C. J. Pennethorne Hughes = 260
• Kitsch / Hanns Sachs = 262
• PART 7 CINEMA CULTURE
• Introduction / James Donald ; Anne Friedberg = 270
• The Independent Cinema Congress / Jean Lenauer = 274
• Russian Cutting / Orlton West = 277
• 'This Montage Business' / R. Bond = 278
• First Steps Towards a Workers' Film Movement / R. Bond = 281
• Films for Children / Dorothy M. Richardson = 283
• What Can I Do? / Bryher = 286
• How I Would Start a Film Club / Bryher = 290
• A Note on Household Economy / Dorothy M. Richardson = 294
• Towards a Co-operative Cinema : The Work of the Academy, Oxford Street / E. Coxhead = 296
• Modern Witch-trials / Hanns Sachs = 299
• Acts under the Acts / R. Bond = 301
• PART 8 FADE
• What Shall You Do in the War? / Bryher = 306
• Appendix 1 : The Contents of Close Up, 1927-1933 = 310
• Appendix 2 : Notes on the Contributors and Correspondents = 315
• Appendix 3 : Publishing History and POOL Books = 318
• Appendix 4 : A Chronology of Close Up in Context = 319
• Notes = 322
• Index = 337