20세기 일본 현대건축 외관의 전통성 표현 = A Study on the Traditional aspects at the Building Appearance of Japanese Contemporary Architecture in the 20th Century

다국어 초록 (Multilingual Abstract)

This study finds out the traditional aspects at the building appearance of Janpanese contemporary architecture in the 20th century.
The most-used subject as the motive was a roof, which occupies 36% out of the all examples found. In cases using the overall figures of the body, 2 motives are found; Chasitzu motive 27%, and the mixed-up motive12% that shows several elements. The mixed-up motive derives their compromise from the roof, wall and base-platform of Shrine and Buddhist temple, ware house, and private house. The wall motive occupies 15%.In the rest, there’s the one expresses Japanese line applying Isigaki. This example occupied 3 %. Also there was the one adopts the formation laying over a bundle of rice straws of a reaping machine, 3% occupied. And the last case, occupies 3% also, was found to be built with a purpose to easily confront Japanese traditional esthetic, UGEN alongside the nature using light materials. In a situation with the all body put together comprimisingly or with a single style applied precisely, the old style was transformed into modern style simplifying the form and the decoration to a concise line or surface. And this case features that the material used is just modernistic. On the other hand, quoting a one point as a motive the architect exposed the pattern that repeats equal details or the pattern displays contrast details. On age table, until 1930s architects mainly focused on copying from traditional style and blending into expressions based on the overall shape of the various roofs. After that, several style had appeared till the late 70s which included whole body-summarized style and part-summarized-to-mix style. From the late 50s, Japanese traditional architecture was sectionally adopted to modernism buildings and after 70s the symbolic expression come up with simplification of line and surface as well as modernization of the material. As conventional esthetic was re-analyzed symbolic figures using metaphor started to be found after 80s, which indicates that trend went with the European Neo-rationalism. As the aspect of function of buildings, the monumental public space in large scale or performance space possesses roof-motive. Specifically Gabuki theater, where the Japanese traditional act performed all, showed the motives from roofs of Shrine and Castle. Facilities related to living were contructed mostly using neo-sukiya style, partly applying roof, wall, traditional esthetic points. Religion spaces including Buddhist temples almost extracted motives from traditional architects with same system.

목차 (Table of Contents)

• Abstract
• Ⅰ. 서론
• Ⅱ. 일본건축계의 전통성 인식
• Ⅲ. 일본 현대건축 외관의 전통성 분석
• Ⅳ. 결론
• 참고문헌

참고문헌 (Reference)

1 김동영, "한국 중국 주거건축 공간구성 비교" 한국주거환경학회 9 (9): 13-24, 2011

2 이일형, "일본현대건축의 지역적 특성에 관한 연구" 69-76, 2000

3 백의현, "일본현대건축에서 전통적 공간개념의 표현특성에 관한 연구" 8 (8): 87-90, 1988

4 김선영, "일본 현대 건축의 전통적 요소에 관한 연구" 43-50, 2001

5 김동영, "일본 전통건축 입면의 역동적 특성" 한국주거환경학회 8 (8): 25-35, 2010

6 石田潤一郎, "日本的空間というプ ロブレマティーク" 일본건축학회 28-29, 1993

7 "日本の美術 1-10" 至文堂 1979

8 "建築20世紀 part1,2" 新建築社 1991

9 船越 徹, "イメージとしての日本的 空間" 일본건축학회 54-55, 1993

10 김기수, "1940년대 일본 건축에 나타난 “일본적 표현”에 관한 고찰" 95-103, 1998