L.V.Beethoven Piano Sonata Op.110에 대한 作品分析 硏究 = (A) study of L.V.Beethoven's Piano Sonata Op.110

다국어 초록 (Multilingual Abstract)

Ludwig van Beethoven (Germany.1770-1827), a representative composer of classical period is known as a great composer. He completed the classical period and opened the romantic period of music. He finished the traditional characteristics of classicism such as formality, objectivity and accuracy. He also successfully unified variation and fuga technique in the form of sonata through his desire to be free from formality. It had a great influence on the later composers to use these romantic elements to express the personal emotion and individuality he adopted. In his third period, his originality and an artistic temperature became more deep in piano sonata op.110.
We can say that profundity and creativity were expressed well in this composition. The artistic characteristics of this work are as follows. He tried to reform many musical elements the first movement, for example composing of the free form of sonata separate from classical frame and the use of lyrical subject melody. In the third movement, the relation with fuga subject and shorter developed part than any other sonata. In addition, it resembles romantic music in the fact that he adopted an abundantly beautiful melody with Enharmonic - tone modulation and brilliant trill.
In the second movement, he used the fast scherzo movement instead of the usual slow one. It was characterised by the popular folk-song melody, the romantic and chromatic modulation for harmony, and frequent syncopation for rhythm.
In the third movement, he used free technique in the form of sonata out of his desire to be free from the formality. Impromptue recitative, Arioso and fuga departing from the strict counterpoint in baroque is full of the expression of Beethoven's originality and artistic temperature.

목차 (Table of Contents)

• 目次
• 第1章 序論 = 1
• 第1節 硏究의 目的 = 1
• 第2節 硏究의 範圍와 方法 = 2
• 第2章 本論 = 3
• 第1節 L.v.Beethoven Piano Sonata의 작곡 시기에 대한 고찰 = 3
• (1) 제1기 : 모방의 시기(Period of imitation) = 4
• (2) 제2기 : 구체화의 시기(Period of realization) = 5
• (3) 제3기 : 반성의 시기(Period of contemplation) = 6
• 第2節 제3기(후기) Piano Sonata의 특징 = 7
• (1) 형식 = 8
• (2) 대위법적인 기법 = 10
• (3) 화성과 리듬 = 10
• (4) 새로운 음향창조 = 11
• 第3節 L.v.Beethoven Piano Sonata Op.110의 作品分析 = 12
• (1) 제1악장 = 12
• (2) 제2악장 = 26
• (3) 제3악장 = 32
• 第3章 結論 = 48
• 參考文獻 = 49
• 英文抄錄 = 51