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    소설의 정의에 관한 정신분석학적 연구 시론 = A Psychoanalytic Study on the Definition of Novel

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    https://www.riss.kr/link?id=A40118995

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The primary purpose of this thesis is `the literary theorization of psychoanalysis`. For this purpose, psychoanalysis should be beyond the limit as the means that are simply used for analyzing certain factors in the individual work. Accordingly, this thesis will begin by attempting to combine the theory of genre in fiction with psychoanalysis. This is also an attempt to prove that psychoanalysis is already a theory of literature in a deep dimension. On this attemption, I will define a novel newly through the theory of psychoanalysis. In section 1, though there have been numerous efforts to define the genre of novel, I will ascertain that the genre of novel has never define properly so far. Subsequently in section2, I will clarify the `ontogenesis` origin of the genre of novel, I will newly define a novel psychoanalysis. And I will also examine the reason why the concept of `sublimation` is appropriate to the genre of novel especially among every other art genres. According to Sigmund Freud, the very previous stage of art is fantasy or day-dream. The interesting thing is that this day-dream which appears mostly in the neurotics or infants has a narrative. In other words, it has the shape of the pre-novel that has a `story`. Here is the reason why art relates to a novel closely from the view point of psychoanalysis. Freud commented previously the two types of day-dream that especially are showed in infancy and in neurotics. he named the two types of day-dream `family-romance`. M. Robert titled the both of each type of family-romance `enfant trouve`` and `ba^tard`. His oppinion is that the very two types of family-romance is the origin of a novel which is grasped from the viewpoint of ontogenesis. In the last section of this thesis, by comparing G. Lukacs`s definition of a novel with Freud`s, I will demonstrate that the contradiction between these can be settled through psychoanalysis. In Novels, ontogenesis repeats phylogenesis. Or phylogenesis repeats ontogenesis.
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    The primary purpose of this thesis is `the literary theorization of psychoanalysis`. For this purpose, psychoanalysis should be beyond the limit as the means that are simply used for analyzing certain factors in the individual work. Accordingly, this ...

    The primary purpose of this thesis is `the literary theorization of psychoanalysis`. For this purpose, psychoanalysis should be beyond the limit as the means that are simply used for analyzing certain factors in the individual work. Accordingly, this thesis will begin by attempting to combine the theory of genre in fiction with psychoanalysis. This is also an attempt to prove that psychoanalysis is already a theory of literature in a deep dimension. On this attemption, I will define a novel newly through the theory of psychoanalysis. In section 1, though there have been numerous efforts to define the genre of novel, I will ascertain that the genre of novel has never define properly so far. Subsequently in section2, I will clarify the `ontogenesis` origin of the genre of novel, I will newly define a novel psychoanalysis. And I will also examine the reason why the concept of `sublimation` is appropriate to the genre of novel especially among every other art genres. According to Sigmund Freud, the very previous stage of art is fantasy or day-dream. The interesting thing is that this day-dream which appears mostly in the neurotics or infants has a narrative. In other words, it has the shape of the pre-novel that has a `story`. Here is the reason why art relates to a novel closely from the view point of psychoanalysis. Freud commented previously the two types of day-dream that especially are showed in infancy and in neurotics. he named the two types of day-dream `family-romance`. M. Robert titled the both of each type of family-romance `enfant trouve`` and `ba^tard`. His oppinion is that the very two types of family-romance is the origin of a novel which is grasped from the viewpoint of ontogenesis. In the last section of this thesis, by comparing G. Lukacs`s definition of a novel with Freud`s, I will demonstrate that the contradiction between these can be settled through psychoanalysis. In Novels, ontogenesis repeats phylogenesis. Or phylogenesis repeats ontogenesis.

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2012-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2008-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2006-01-01 등재 등재후보학술지 유지 (등재후보2차) KCI등재후보
    2005-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2004-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.54 0.54 0.54
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.51 0.5 0.879 0.19
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