『喪志編』に見られる楫取魚彦の表記意識について = Regarding the viewpoint of Nahiko Katori's writing shown in Soushihen

다국어 초록 (Multilingual Abstract)

Nahiko Katori is famous as the author of Kogentei, and Kogentei is famous for the material that widely spread historical Kana orthography among Kokugakusya(a Japanese classical scholar). Most of the studies on Nahiko Katori are concentrated in Kogentei, and few studies dealing with other materials except Kogentei have been found. To study Katori Nahiko, of course, you should look at other materials as well as Kogentei. This paper is a study that examines the viewpoint of the author's writing in Soushihen, the essay written by Nahiko Katori. Soushihen has not attracted attention from researchers, and some researchers doubt whether this is Nahiko Katori's book. However, considering that the author's name is on the cover and that Nahiko Katori's seal is stamped on the body, there seems to be no doubt. By analyzing this material that has not been noticed so far, you will be able to see the viewpoint of Nahiko Katori's writing.
As a result of analysis, unlike Kogentei, many non-historical Kana orthography were seen. This orthography was similar to those of the Teika’s Kana orthography. As a result of comparative analysis with the material employing Teika’s Kana orthography, it was found that it was closer to general orthography in Setsuyoshu than the normative orthography in Kana orthography note. In addition, it was confirmed that shakkun kana was used in Soushihen differently from Kogentei. In conclusion, it can be said that Soushihen is a material that does not care about orthography like Kogentei. Perhaps it was not intended to be shown to others in the first place, so it seems to have been written freely without being bound by orthography.

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