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      『엘리자베타 밤』에서의 상상계와 실재 = The Imaginary and the Real in D. Kharms's Elizaveta Bam

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      https://www.riss.kr/link?id=A75058107

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      다국어 초록 (Multilingual Abstract)

      D. Kharms's Elizaveta Bam has been considered as a "manifesto" of the OBERIU theater, which emphasizes theatrical plot than dramatic one. Although it may seem absurd and nonsense at first sight, the plot in Elizaueta Bam has its own logic, which can be viewed as a struggle between the imaginary and the symbolic.
      Elizaveta Bam, the heroin in the text IS traced by two men for her having killed someone, but insists her being innocent. This is the basic situation in the text, which reminds us of the terror in soviet society. All she can do to demonstrate her innocence is to postpone arrest through her imagination, which basically intends to transform the real situation to harmless play or game.
      The real in Elizaveta Bam is the antagonism between the imaginary world constructed by its heroin and the reality controlled by the political power, which after all succeeds in arresting her. This plot line in Elizaoeta Bam shows that "the real art" in Kharms means "the art of the real", manifestation of the impossibility in representing the social antagonism.
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      D. Kharms's Elizaveta Bam has been considered as a "manifesto" of the OBERIU theater, which emphasizes theatrical plot than dramatic one. Although it may seem absurd and nonsense at first sight, the plot in Elizaueta Bam has its own logic, which can b...

      D. Kharms's Elizaveta Bam has been considered as a "manifesto" of the OBERIU theater, which emphasizes theatrical plot than dramatic one. Although it may seem absurd and nonsense at first sight, the plot in Elizaueta Bam has its own logic, which can be viewed as a struggle between the imaginary and the symbolic.
      Elizaveta Bam, the heroin in the text IS traced by two men for her having killed someone, but insists her being innocent. This is the basic situation in the text, which reminds us of the terror in soviet society. All she can do to demonstrate her innocence is to postpone arrest through her imagination, which basically intends to transform the real situation to harmless play or game.
      The real in Elizaveta Bam is the antagonism between the imaginary world constructed by its heroin and the reality controlled by the political power, which after all succeeds in arresting her. This plot line in Elizaoeta Bam shows that "the real art" in Kharms means "the art of the real", manifestation of the impossibility in representing the social antagonism.

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      참고문헌 (Reference)

      1 Мейлах, М, ""О Елизавете Бам Даниила Хармса,"" 1987

      2 Poor Liza, ""Poor Liza: the Sexual Politics of Elizaveta Bam by Daniil Kharms," Gender and Russian Literature: New Perspectives" Cambridge University Press 1996

      3 Roberts, G, ""Of Words and Worlds: Language Games in Elizaveta Bam by Daniil Kharms,"" 1994

      4 홍준기 외, "라캉의 재탄생" 창비 2002

      5 안지영, "다닐 하름스의 <엘리자베타 밤>" 1996

      6 이은경, "다닐 하름스의 <엘리자베따 밤>에 나타난 부조리의 시간성과 자움어" 19 (19): 265-294, 2007

      7 Хармс, Даниил, "Даниил Хармс" 1994

      8 Мазин, "Введение в Лакана" 2004

      9 "The Man in [with] the Black Coat - Russia's Literature of the Absurd Selected Works of Daniil Kharms and Alexander Vvedensky" 1987

      10 "The Last Soviet Avant-garde: OBERIU - Fact, Fiction, Metafiction" Cambridge University Press 1997

      1 Мейлах, М, ""О Елизавете Бам Даниила Хармса,"" 1987

      2 Poor Liza, ""Poor Liza: the Sexual Politics of Elizaveta Bam by Daniil Kharms," Gender and Russian Literature: New Perspectives" Cambridge University Press 1996

      3 Roberts, G, ""Of Words and Worlds: Language Games in Elizaveta Bam by Daniil Kharms,"" 1994

      4 홍준기 외, "라캉의 재탄생" 창비 2002

      5 안지영, "다닐 하름스의 <엘리자베타 밤>" 1996

      6 이은경, "다닐 하름스의 <엘리자베따 밤>에 나타난 부조리의 시간성과 자움어" 19 (19): 265-294, 2007

      7 Хармс, Даниил, "Даниил Хармс" 1994

      8 Мазин, "Введение в Лакана" 2004

      9 "The Man in [with] the Black Coat - Russia's Literature of the Absurd Selected Works of Daniil Kharms and Alexander Vvedensky" 1987

      10 "The Last Soviet Avant-garde: OBERIU - Fact, Fiction, Metafiction" Cambridge University Press 1997

      11 Gibian, G, "Russia's Lost Literature of the Absurd - A Literary Discovery" 1971

      12 Cornwell, "Daniil Kharms and the Poetics of the Absurd" 1991

      13 Stellman, "Aspects of Dramatic Communication: Action, Non-action" 1992

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      2026 평가예정 재인증평가 신청대상 (재인증)
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      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2006-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2003-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2002-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.64 0.64 0.47
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.39 0.36 0.737 0.26
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